I'm not sure whether MIDI tempo information messages makes it through to the Faust node, but the tempo sync node is definitely the way to go. just build your Faust node with a absolute delay time parameter and then connect it to the tempo sync node - it automatically sends the correct time value matching the tempo and reacts to tempo changes etc.

upcoming docs:

Tempo Sync (control.tempo_sync)

Converts a musical tempo value to a duration in milliseconds and sends it as a modulation signal.
Tempo Sync converts a musical time value (such as 1/4 note or 1/8 triplet) to a duration in milliseconds based on the current DAW tempo. The output updates whenever the host tempo changes or any parameter is adjusted, making it suitable for driving time-based effects that need to lock to the beat.

The output is an unnormalised modulation signal carrying the raw millisecond value. If the target parameter expects a different unit (such as frequency in Hz), place a control.converter between this node and the target. When Enabled is set to Off, the node outputs the manual UnsyncedTime value instead, allowing a smooth fallback for standalone operation or manual control.

CPU: negligible, polyphonic.

Signal Path

Pseudo-code - hover highlighted terms for details // control.tempo_sync - musical time to milliseconds // BPM + parameters -> ms out (unnormalised) onParameterChange() { if Enabled: output = tempoToMs(bpm, Tempo) * Multiplier else: output = UnsyncedTime } onTempoChange(newBpm) { bpm = newBpm if Enabled: output = tempoToMs(bpm, Tempo) * Multiplier }

@HISEnberg @Christoph-Hart I hit a problem with controlling a ScriptNode macro with a UI knob AND an envelope.

New post here: https://forum.hise.audio/topic/14793/control-scriptnode-from-ui-knob-and-envelope

@Lurch Not sure if it affects compiling networks

@David-Healey I guess you're right. I haven't tested any automation through that method yet. Only midi messages.

@David-Healey

Thank you so much

@dannytaurus Thanks for sharing this! If anyone has questions about the data going into this, or suggestions for the next survey, please let us know! :)

@dannytaurus said in Meta Ads:

Or get someone much younger and more in-touch with social media to make them for me!

Don't know if you know about this, but here is a creator/influencer marketplace built into ad manager where you can hire people to make ads for you. If you hire someone, get them to make 10 3 second intros for each ad. Then you can mix and match the intros with the ads so you get more chances to catch a viewer's attention (Ben Heath's idea).

8dd61f3b-86ad-4008-847a-eae77c41d288-image.png

@Lindon said in Change Look And Feel Dynamically:

@Orvillain said in Change Look And Feel Dynamically:

@Lindon Nice! And you're doing all that with branching logic in the LAF's ??

I did make a start, and I got a mix control to turn into a slider versus a knob, depending on what effect I have loaded. Seems pretty flexible for sure!

actually Im doing all this with json, so when the user selects an FX I go find the JSON object for its background and its sliders, and use those in the LAF... so hardly any branching going on.... it'd be a fairly massive switch statement....

Gotcha! Yes that makes total sense.

@Yannrog said in Hello, easy one, How do we set a value to a knob by scripting so it never changes.:

If I update, will I get the exact features on my project?

Maybe, depends if your current version has a bug

@David-Healey Thank you,

Its working really great 👍

@Christoph-Hart that's superb news! I'm so looking forward to bringing my AMS RMX16 clone to dolby atmos to have that gated reverb in my next album. It was a stupid idea to start making an album in atmos anyways but hey... why not

@David-Healey Oh good spotting, this might come from the fact that there's some internal path normalization but the wildcards do not use this.

BTW, I've added another feature to the asset manager last week: you can define a SharedWildcard which allows you to define files that might be shared across multiple of your assets - the asset installer will then skip them at installation / deinstallation (and verifies that they don't conflict when installing two assets that share files).

@David-Healey Yep, we talked about it here https://forum.hise.audio/topic/12926/question-about-ms-encode-decode-order-in-stereo-widener-example/3?_=1779473723375

@voxuer1 Yes, I have only tried as FX plugins, both on Mac and Windows, au & vst3.
It's working as it should

@voxuer1 nice glad it worked!

It was caused by having different sample rates in 2 different samplers. I had to convert all to 41.1khz which is what I started my project at.

@David-Healey Hi,

I will simplify, make the chord analyzer separately

@ulrik said in Optimal Midi Architecture:

So I set the TransportHandler to trigger the clock every 1/64T note (the lowest value available)
and based on that, I can make calculations for each note value for position and length etc.. using this function

Nice plugin ulrik 👍

I'm likely aiming for a higher PPQ of 960, so not sure it's possible that way..

Chatbot stating: Running a JS loop 960 times per quarter note per sequencer lane will cause hell. And I think you're stating that 96 PPQ is the highest that can go?.

Supposedly the Hise MIDI Player has an internal PPQ resolution of 960 PPQ, handled by sample accurate C++ timing. That's what I need 🙏

The MIDI Player could work, but I don't see a way to use it without initially clogging up the plugin with 50 - 100+ MIDI Players, nor finding a way to set them to other MIDI Channels.

Info pointing toward a lot of work to get higher resolution timing without using the MIDI Player.. 👷

Stuck, but there must be a way in Hise.