• Coming over from Kontakt? Read this!

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    LindonL

    @d-healey said in Coming over from Kontakt? Read this!:

    @Lindon They live inside Kontakt's sample map too, it's just that with Kontakt there is only one sample map and it's part of the NKI.

    I think the main different between Kontakt's groups and HISE's is that with Kontakt you can route them individually and apply effects and other processing to them individually which you can't do in HISE (yet...?).

    In HISE the routing and modulation is at the sampler level rather than the group level.

    Absoloutely - valuable stuff to include - I guess I was thinking inside a group you see a mapping of sample audio files, inside a Sample Map you see....so (to start with) same same...as a starting point. But hey no problem.

  • Multiple samplemaps utilising same samples without inflating file size.

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    lijas90L

    @dontoyumur Your project is too large. Even after deleting the build folder, it's having a very hard time processing it. I don't think it's a problem with my system.

  • Anyone running Logic 12.3.1 on MacOS Golden Gate?

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    David HealeyD

    @dannytaurus I don't know, I was just told Golden Gate, it's not my customer it's a third-party's

  • Will vst3 that was made in hise on Windows work on macOS?

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    D

    @David-Healey Thanks ,appreciate it!

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  • VST/plugin GUI design + launch graphics — ads, motion, web

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    lalalandsynthL

    @cartemtune Thanks, none of these are ai btw 😊
    But I get it AI is all over the place...

  • Does everyone turn HISE_COMPLAIN_ABOUT_ILLEGAL_BUFFER_SIZE off?

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    ustkU

    So in the end is this fixed with HISE_COMPLAIN_ABOUT_ILLEGAL_BUFFER_SIZE=0 or the issue persists?

    If this flag becomes mandatory then it should simply be the default behaviour...

  • Instrument Design problem.......

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    C

    Came here trying to learn something about instrument design and somehow ended up learning about decompiling laws and the current state of Claude

  • Scope - .dump()

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  • 1 Votes
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    soundsyncS

    @dannytaurus SoundSync can currently receive information related to the product’s operation and the customer journey, including:

    When the plugin is opened or connects to SoundSync Activation, validation, restoration, and deactivation activity The installed plugin version The product and license associated with the activation A hashed installation/device identifier for managing activations Interactions with SoundSync-provided areas such as activation, account, store, support, and update interfaces Timestamps showing recent validation or connection activity

    This can be combined with information already created elsewhere in SoundSync, such as purchases, products owned, downloads, customer accounts, support activity, email engagement, and marketing consent.

    That makes practical things possible. For example, a developer could notify customers using an outdated version, help somebody who purchased but never activated, exclude existing owners from a promotion, or create a re-engagement flow based on meaningful customer activity, cart recovery, etc, etc.

    SoundSync does not inspect or collect the customer’s audio, MIDI, presets, parameter changes, DAW projects, filenames, or what they are creating. We are interested in product lifecycle events that help with licensing, updates, support, and relevant communication, not the customer’s creative activity.

    We also try to keep the principle fairly simple, collect the minimum information needed for the feature, be clear about how it is used, and give developers the controls they need to handle consent and privacy properly.

    Some of this varies by integration. For example, the HISE package can report plugin-open and SoundSync interface events, while licensing integrations naturally generate activation and validation events whenever they communicate with SoundSync.

  • Velocity layers overlapping issue

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    dannytaurusD

    @lijas90 said in Velocity layers overlapping issue:

    I still get quite a noticeable jump between the different samples.

    What kind of jump? Volume, tone, pitch, stereo field, something else?

  • Dynamic component builder

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    Christoph HartC

    @ustk upcoming as in the base is implemented but there's no real world usage yet which hardens the feature set.

    The docs of the current website is nonexistent, but the new website has this covered thoroughly, you can take a sneak peek at the GitHub repo that hosts the new website content:

    https://github.com/christoph-hart/hise_api_generator/blob/main/ui_enrichment/pages/components/ScriptDynamicContainer.md

    Let me know if you run into problems (which you definitely will as first user)...

  • Export your samples directly with EMPIRE SAMPLER

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  • Knob Web Studio

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    tsempireT

    Enjoy a free 30-day trial: https://www.knobwebstudio.com/

    composition-1789625533424.png

  • HardCodedMaster FX and the GlobalRouting Manager

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  • 2 Votes
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    soundsyncS

    @dannytaurus Including the email marketing is a pretty smooth move. Does the % fluctuate at all based on usage, number of contacts, emails sent, etc.? Or a minimum monthly in sales?

    I've seen Gumroad around but never used it. I went straight from the wacky world of Wordpress to developing and using Soundsync.

    Is your reason for no licenses just less user friction?

    I'd love to see the comparison in price! That's the type of thing that tickles my pickle.

  • .pkgproj sharing

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    ILIAMI

    @orange @David-Healey Thank you guys

  • How to fix this problem building hiuse?

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    David HealeyD

    @duma Try it, only you can do it :)

  • HISE Licensing question

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    L

    @dannytaurus This is super helpful thank you! It's pretty much as I understood it but this is a great way of laying it out. We're about to start proper beta testing so once that's wrapped I'll buy a HISE Indie license, already sorted the JUCE 9 EULA etc.
    Thanks again!

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