@Mighty23

RE: getting the display. I've done some of this recently. However I was trying to display an envelope. This was more or less my boilerplate code:

// This is some boilerplate prototype code for drawing an envelope display // across the top of a waveform - it requires there to be a specific panel for it const var db = Synth.getDisplayBufferSource("sampler_0"); const var display = db.getDisplayBuffer(0); const var envelopedisplay_0 = Content.getComponent("envelopedisplay_0"); envelopedisplay_0.setPaintRoutine(function(g) { var p = display.createPath(this.getLocalBounds(0), [0, 1, 0, -1], 0); g.setColour(Colours.withAlpha(Colours.lightblue, 0.3)); g.fillPath(p, this.getLocalBounds(0)); g.setColour(Colours.black); g.drawPath(p, this.getLocalBounds(0), 1); }); envelopedisplay_0.setTimerCallback(function() { this.repaint(); }); envelopedisplay_0.startTimer(10);

Now, I tried this with the snex_shaper earlier, and fell at the first hurdle. The Synth.getDisplayBufferSource() call returned an error saying there was no display object. So I think the snex shaper would need to be updated to expose that.

@Christoph-Hart one simple implementation would be to add a new local envelope type - so an AHDSR envelope that got its parameters from a global envelope source.... I do this now manually but it would be nice not to have to keep track of which Global envelope each local envelope is copying its params from....

@streakychin You need to disable IPP in your project's preferences

I just wanted to give a friendly bump on this as establishing an audio buffer in Scriptnode would be stellar.

Ok, I found the problem. Due to the imperfect tuning of an analogue OSC, the phase was not aligned. So, I perfectly tuned all my samples and manually phase-aligned them. Now the phase effect when two notes were played in octaves is gone.
Thanks for your support! I'm sure that this info will be useful for other samplists.

@d-healey Hmm this might work for monospace fonts, but I get different results based on getting the string width of a space or any character. I don't see why the kerning adds a space at the end of a string. I don't think this is common.

Maybe Christoph can provide some insight? @Christoph-Hart

@djaychela said in Path to JUCE is incorrect:

I attempt to run the project in XCode

Don't run it in xcode, just compile it.

https://youtu.be/zeLeCSNh0XM

@Barchel Got some warnings tho:

C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\AdditionalSourceCode\nodes\factory.cpp(13,9): warning C4068: unknown pr
agma 'clang' [C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\Binaries\Builds\VisualStudio2022\CrushVerb_SharedCode.vcx
proj]
C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\AdditionalSourceCode\nodes\factory.cpp(14,9): warning C4068: unknown pr
agma 'clang' [C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\Binaries\Builds\VisualStudio2022\CrushVerb_SharedCode.vcx
proj]
C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\AdditionalSourceCode\nodes\factory.cpp(38,9): warning C4068: unknown pr
agma 'clang' [C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\Binaries\Builds\VisualStudio2022\CrushVerb_SharedCode.vcx
proj]

C:\Users\Amelia\Documents\GitHub\Hise Version\HISE\hi_scripting\scripting\engine\JavascriptEngineCustom.cpp(839): warni
ng C4715: 'hise::HiseJavascriptEngine::RootObject::InlineFunction::ParameterReference::getResult': not all control path
s return a value [C:\Users\Amelia\Documents\GitHub\Hise\CrushVerb\Binaries\Builds\VisualStudio2022\CrushVerb_VST.vcxpro
j]

@a200 said in VST Export Error "error: Cycle inside a single target; building could produce unreliable results.":

@d-healey

Reporting back this indeed solved my issue. Was able to compile a VST (had to turn off Use IPP in HISE settings as I could not find a download for it and it isn't mentioned anymore in the docs). But otherwise working great thank you so much!

IPP isnt required on MacOS...

@Lindon @d-healey I'm having an issue right now where fonts that I reference are not working in my compiled plugin. Have you guys ever experienced this? I'm using Open Type Fonts.

@Lindon HI, I've solved, the solution is to sign and notarise from the terminal and not from Packages.

@DanH seems even a basic scriptnode synth doesn't respond to pitch information either. Obviously there is a midi control node which will solve this for synths but not for the granulator.

@Christoph-Hart ok understood _ I think, My scenario is I want to alter the midi velocity of incoming notes to some defined table value...so Im not sure where the callback would be executed..and how it would "grab" the incoming MIDI event

@FatMitchell Yeah scriptnode can be daunting. I wish there was a single, comprehensive resource I could point to; the best I've found has been a combination of the docs and searching the forum internally + via google with the site:forum.hise.audio operator. The snippet browser's been great for learning structure.

We can actually replicate this in HISE's module browser faster than scriptnode, so let's start there.

Roar's waveform makes it look like some kind of modulated wavetable distortion. But running a sine wave through sounds like what Ableton describes: the signal + some white noise driven into a basic saturator. Notice the way the curve goes from smooth to almost a square shape?
noiseinjection.gif

That's the same waveshaping you get from ShapeFX's saturation mode. You can see the curve change in the SNEX version:
snexshaper.gif

In this snippet, I've got a container with two noise generators panned in either direction (waveform generator should work too) and an instrument. The container has a ShapeFX on saturation mode, and the noise generators have filters linked to macro knobs. The single UI slider controls the distortion amount + the noise volume. The limiter at the end is just to wrangle the volume.

HiseSnippet 1978.3oc6a8zababEen1k0UTNFwtFAo.EEDB4vpBWGsQ1NtHHPzRqVKgHYuVqx+PQgyHtyt6DycFVxgxdcfA7gdn8RABPQuTTf9In.sW5w5BzO.snWCPa9BT3a8XyaFRtbH0p0RJRNYsoNHfYdyaleu+Nu4IwVAbWRXHO.YL6NC8IHiyZ1dHSze09XJCsQCjwELuEmFRraPCE7.AkyPqLzGGFR5fLLpbS45LlsJR8ySWdErGl4RxlBg9.N0krIc.UjMaKm2i540D2grCcf1puhyFtb1pbOdDfoJlKh7wt2C2ibKrbYyXhL9Nq0gBHos.KHgHipqv6Lrce98Ywq+Cngzc8HxA0QsgMJd5lbuNRDKmEsZepWmVoxdHBYX1JSSTIVSbQysncnilOSi7pJB1YbnqOLlIO7pjCd00g2hZvaLPxPCRUigz4Ma6FP8EYTj3YNyMXBRPWLn10gR7ZQybtJlqxgUvDWd.9djlAvfQbT6ZKt3krgesv6XYAp9Pg8d3.618w9jleTc620V4Ob4dDwZc6RbE0lWQyFHNeddT9IR+gPfKqep09XbSRWgsbAyuvk1O0so85mR15mA6rEk4QYD6tQLWoemMm8dL9t0kBS.2qlKefOmAh0kfi2Khrf0mYMq0a9lgDgsnOwd.9A1c10tKOPMLQjr6AmfceR.wxi6h8jKqQ.cOB.5qsHbrG3FDGGvCcAOWLXhCU6xrYaS7BdW60X8.bKkMozzD6BKtIOnAwktKwKr1O9sthTykpiuLbd2PHBn6FIH0FMqj2DI6GkhQIaR3TiYCBQlBGDcV9sgEyeFTROc.HYnp1nsWsWKrv67HKqGAGRpCCv3pop4Zyqvv7KHOoDivpXOucgHzZ4sM.N0rZ2hKH2lUK197HK6hj51crzR1KORvXIKSbDLIFqwhFrKIHm2ArPHZJeHp4AGhpmAwMVknsPNaCFUbaeB6fxqfRzixv4DTAKUnBlOWRvbaOZGR.hBwrmwTogQJ.mjT7+7vK9eWF89az.KvoaCrivo3SfzwRAvnAYOHEabNhYMaPBumf6qVahoCj4m4g9fQYgeL1Y3nANepCZ+Yhfbf7NQpv.8DiROqDBEunPlwgEREC0usnX1xpGtrkSNY9gEtm2rEU31e73clwfWP8eZi2j6ddEy3rhYfspYyOZhWzbhCku6ATPvYU2l.iHA0OIJEv+PWJfQkSiq9Oyo0U+OWclKi89FL163Wj2LZm+4SSfmTBPRwciJ2JGDVMJXu3BhWghCkUVoqqjyopmRex0gIZAafdH1l76mape4+xArIZQgutys2iDDhG3C0h0S2+QKb2Yok1zYaRmn7Q62HRv6UHofJ3eClejPe13afzXcK5CxkJQI4ModPUqg4bJpbnsD0mnk.sMOR.R3VXnBJ3rMuUzf1PlGWB3GvXPgSvbFyHuROd7hxwRHzlv5nF7+geRHVWN1HgX8Th5NaWH1XaY1XHCOf5FlXsSGVL0pfrFCCRRGcoWN8N8CHg8Am7hDfZAgByxawDjsIdDbnlt9icjUIDnf0XNhLhi8fxHusLLV+zxHUDIug1QNF7nbQH6GLINOjwgjZOIgVtyx4Ke3uIkohGzSBzPwVv6hh70ErDt1OgoVOtyE6wAITfqtU2oqb4dM0X6ODCu.5lD3RcYh5C7h8GO768ON4uX+1tB332I.yB84g4131jAzcfZXyE0+9gvqXI+7BtbRuQbvXI8zkaBB4X4oMVDEntB5FC3QLwjr0UOb15mQAGUKK33Dr0Hylhw1T3NJHK4dDO3oQI8tpAoKNxSjNad+5s3LteeNi5paz2l.wi85QBzw9XEnh40tny9xl8FP1LFAGj+R0ijtn9QtMQi0d85lwv0VFLZ+hQghUd47QZOmu3H4gfmItQvIuALtWWp5NORWU7z+5o4a.KSIO0kR9sJSI+hTJ4Whd6dk86xeAyVbugwNvwuVUAhYM2r0DyUp9QVdZDg4lp4d7Rewm6bGcydwmlemHrWll9S3e9+9usB0m6gCNTVgiuGd0CoqxqYNRnll7ukVloG798MSL51Rk8zCtOm4c91EXeVAwqeLBhc9e+t0lTP7OnPPLBc8+bYPbYPbYP7W6+rUphOuYJPmybz+9AGX.7u8Wc8mzf3gyEv8gzNh958mbLs+ZCnX1.QKo8qX3Zkm2gqSad9xWD.p7oI.qbIld.7qZ1B+sAGhmG8s3a9di7JI8FI9u+1Qq4HKW1bjxlin0bjkJaNRYyQdAu4HVxliLwjkmHcGAg9S+cmxGVU9vpxGVcZzcDKY2QN5QwG01i7Gt9uurGmkQwkQwmzsG4rlYe+Ek8Gor+Hk8Gor+HureFCvtA765F+c6HSwXolAreL0WiXU3kK49VcfWkrky.ZG5cccS2EiYbS+Nl5bWeb.vorlIi4je6MY+gg0nDCkQSb23CatrxLPCzKp5JNCvOP+efaO980o1GxqqSN7dDE8e3u9ubU7b+ykCED0+fqe1E+i27Ke3uXYpJWcrye.A2gy7FJe6JZBxg1a3lBDjhVw0KZEQW8HZEW+EDq35SsVwYM2RN1dohlRDpfo7.X7JGWFu5wkwqcbY7sOtLd8iKi+jiJiVILVewmMmxNFK+TQFDe4KBsUq0TesiFFi9F.Lpf9J.K3zuWB

Since this technique relies on adding frequencies to the signal (via noise) before driving all of it into a saturator, the range and amplitude of those frequencies makes all the difference. Mess with the filters, and try tweaking the max values in the slider callback to see how much the shape of the sound changes.

Faust can handle it, but I'm not aware of any demo or resource covering this kind of routing. It has noise generators, envelope followers and oscillators, but you'd need to script the signal chain and roll your own saturator (or just use a SNEX shaper after the Faust node). I'm still green when it comes to Faust and the topology, but I'd recommend checking out Faust projects on GitHub to see how similar effects are structured.

@d-healey Haha, well that was easy. I just didn't change it enough to see the change, thanks!

@Lindon That is a good option. Thank you for the suggestion.

I had thought about it. I guess the main reason why I don't go that route is that I like to keep envelope independence. I have things set up in a way that independence plays a role in an effort to produce uncommon textures. The other thing is that the idea of having different types of envelopes stacked over each other for a single purpose still doesn't sit well with me. I can't exactly get it to behave the way I want. And I'm not sure, but I think there isn't a way to control hold, decay, and sustain stages for the table envelope. So the whole thing just becomes too convoluted.

I would still like to have mono envelopes. Interesting sounds can be produced that way. But I think this may not be the right project for all that.