@Adam_G I don't know, I haven't used the midi player

@Christoph-Hart
x-fading in the audio loop player is it possible some how at the moment?

@Lindon I think I actually implemented the /10 within my fork so I don't have to do it on the frontend.

@trillbilly

https://forum.hise.audio//post/61741

thanks guys.. i'll see if I can redesign it a bit...

@aaronventure Dude! You're AWESOME! Thank u very much!

@aaronventure
I will have a look. Thank you very much! :-)

Is this still an issue?

I got crashes on macOS, but not on preset loading, it just crashes on start.

@d-healey oh great, thanks I will test it :)

@aaronventure said in Exported vst3 for Windows, now macOS?:

EVs don't automatically remove smart screen anymore as of last year, why even go for EV

Tell me more?! As you can see in my screenshot above it claims it does.

And wow that screenshot came out massive! I posted that from my phone.

@aaronventure said in Exported vst3 for Windows, now macOS?:

Also having only third party availability is kinda baffling.

I'm sure Microsoft are getting a piece of the pie somewhere along the line.

If you just want to write a custom DSP module, your best bet is to create a C++ template for a node and then hotload the DLL with your custom C++ code into HISE. This will create a dummy template file with all callbacks that you then can use to implement your actual code.

File -> Create C++ Third party node template Export -> Compile DSP networks (make sure it includes the node you've created in step 1 in the list) Open the DLL IDE project found in DspNetworks/Binaries/Builds, and run HISE in the debugger Add a hardcoded FX module where you load your DSP module

Once you've set it up it becomes a pretty lean development workflow where you can attach your IDE to HISE.

Besides this there are other ways to use C++ in HISE (or HISE in C++), you can create a custom C++ UI object within a HISE interface or create the entire project in C++ and use HISE as a C++ addition to JUCE. There are examples in the HISE tutorial repositories for both use cases, but chances are great that they don't work anymore :)

@ulrik said in Midi Effects Plugins in Ableton Live:

@Christoph-Hart said in Midi Effects Plugins in Ableton Live:

Interesting. I've looked in the code and HISE will break down audio (and midi) buffers into smaller chunks if the buffer size exceeds the preprocessor value but it appears that it doesn't copy the temporary (smaller) midi buffers back to the original buffer, which would explain the behaviour.

I've just fixed that but please check if it solves the problem (you should not rely on the preprocessor flag to get it working).

Could this be a fix for this as well you think?
https://forum.hise.audio/topic/8056/midifx-plugin-issues-in-logic-pro-x/21

Yes it fixed that problem, I'm able to switch tracks in Logic and the recorded midi will still trigger! Hallelujah! Thank you @Christoph-Hart

VIDEO

@d-healey It seems that GBT T knows nothing 😄 😄 I appreciate your advice. I will start learning from your YouTube channel. Thank you

@DanH Found the ~gen pitch shifter to be a bit more robust and produce less artefacts than RNBO's. Unfortunately, RNBO's fft~ is quite terrible and high in CPU so for now it doesn't seem like developing a pitch shifter using RNBO's fft is an ideal alternative either.

@observantsound
What about automatically setting the root for factory samples though?
It seems like I can either do set root automatically OR use the token parser but not both... : / ?

Maybe I do it like this?
Drop everything in, detect root note automatically, export sample map as xml, then process the file to set each sample in its own group?

Thanks, mate - I was trying to figure out what I needed to modulate! Cheers!

@Christoph-Hart said in How to Delay Audio Signal by Number of Samples?:

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