@Sampletekk I am not sure I entirely follow. It sounds like you want to use something from the dynamics category. You could for example use the gate node for a similar effect as my previous example:

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All the tools you need are in scriptnode, you first just need to define how you want to modulate the sound. In this example I am using a gate node to shape the amplitude. The threshold is set to -60dB, so any sound above that triggers the gate's envelope. You can use the Attack time to determine how much time for the gain to ramp up from -100dB to 0dB.

Then I use the minmax node to invert the signal and apply that to the gain.

However, it really depends on what you are after. Other nodes here you could try are the envelope follower, the core.peak, you can use control tables, pmas, bangs, etc. all to the same effect.

All you need is a trigger (if the amplitude is above -100dB), an envelope shaper (for applying an attack and decay), a gain node and your reverb module.

@Sampletekk you don't get a script reference to the convolution node directly - this would prevent the ability of compiling the scriptnode network later. You need to set the audio file slot in the convolution node to an external one (click the button next to the audio file in the node, then choose External audio file slot #0 or #1 or whatever).

Then you use getAudioSampleProcessor("ScriptFX") to fetch a reference to the scriptnode network and then call getAudioFile(0) to get a reference.

This translates 1:1 for when you compile the scriptnode to C++ and load it into a hardcoded FX module.

@Sampletekk Not sure, I haven't tried. You could add a waveform control to the UI

There was a rather long discussion about it recently that might be of interest: https://forum.hise.audio/topic/14027/wavetable-creation

@Sampletekk
You can create an x/y panel with the following things:

a panel the panel's PaintRoutine the panel's Mouse Callback function some math

@Christoph-Hart Thanks!

@lijas90 said in Image library:

@Sampletekk Delete everything in the Binaries folder and export again.

That did the trick! Everything works now! Thank you!!!

@Sampletekk Nice work and congrats on your first HISE release!!!

@Sampletekk If you enable the embed option in project preferences they are embedded in the plugin binary. If you disable that then you'll need to copy the .dat file from the PooledResources folder to the AppData folder on the user's system.

https://docs.hise.dev/working-with-hise/project-management/projects-folders/audio-files.html

@d-healey Thanks David!

@Sampletekk Yeah sometimes cleaning the build folder and wiping out some old files solves this kind of thing, always a good move to try.

@d-healey That did the trick! Thanks!

@bendurso Thanks!

@Christoph-Hart said in Release time for release samples:

@Sampletekk that's becase release samples don't get a note off message that could trigger the release phase. Use a AHDSR with a decay curve instead.

That makes sense! Thanks!

@HISEnberg smoothstep won't help here. It is not related to time smoothing but to "delinearise" a curve and give it a S shape

To get rid of zipper noise, it's a combination of smooth parameter and fix block or frame container

I have never found a proper way of mathematically setting the smoothing time and the block size, always finding myself bending parameters in the dark... If somebody has a proper and reliable way to remove zipper noise with the most efficient timing and cpu cycles it would be neat!
Is there a magic formula? ☺

Is this the same issue as here?

https://forum.hise.audio/topic/12684/loop-points-sometimes-don-t-get-imported?_=1752606619866

@d-healey I've experienced this in earlier versions too

The ch-files that got stuck, came from a sampler that had +1600 samples. It works great and plays great, bot the process och packing the monolith files didn't. I ended up splitting it up into two samplers, and then everything worked. But it seems to be some kind of limit on the numbers of samples that can be in a samples in order for packing into .hr-files to work