@Lindon I'm using the aa(anti-aliased) library. The effect is a parallel distortion, but it doesn't have any aliasing issues; it's only when pushing audio into the softclipper within it that it starts having aliasing issues.

@dane-zone click the little dropdown in the node title to expose the parameter of the dynamic blocksize so you can change it.

The CPU meter in HISE is not the final thing. Depending on the complexity of the network, it may go down, sometimes a lot, when you export it. So export it and check against other plugins in your DAW. That's your reference.

If there are no audible artifacts at lower modulation values, you could leverage the dynamic blocksize node to go for frame processing only past certain modulation thresholds, optimizing the plugin when low modulation values are used.

There's gonna be a "hiccup" when you switch blocksizes, so keep it in mind if you want to offer parameter automation of the modulation frequency. You may wanna leave an option for this in the settings but before you go trough the engineering trouble to offer this feature, export the plugin and check whether using frame processing for this is actually even expensive by comparing it to the performance of similar plugins on the market.

@Orvillain Right no... I get it. Use two cables. Dohhh.

@HISEnberg It's really nice of you.

@jeffd
ok i figured it out, for some reason my send effect wasnt connected to my send container.
no idea how that happened.

but works again

@d-healey

Interesting.
Okay I've never done this before I didn't know set attribute could be used that way.
I'll have a go

@Christoph-Hart noice

@ustk

yes! its in the project xml

<Processor Type="SynthChain" ID="Griffin_WT" Bypassed="0" Gain="1.0" Balance="0.0" VoiceLimit="16.0" KillFadeTime="20.0" IconColour="0" packageName="" BuildVersion="650">

I'm back after ripping apart my project and putting it back together. The "Mother-Network" that was originally structured in the exported scriptnode has now been recreated in the Module Tree.

20bd4638-8a11-4e64-8deb-c5449c9db2cb-image.png

The minimal module tree from before will be missed. RIP

I have a few important notes. You need to use Synth.getSlotFX() not Synth.getEffect() when making a reference to the HMFX processor when using the setEffect command. This allows you to load in the exported scriptnode to the module.

Other notable functions are exportState() and restoreState(). These can be used to copy/paste control states of the processors after they move. Use the Synth.getEffect() for this one. The exported string even stores the loaded effect. This means you can simply use this command instead of having to load the effect and then the parameter settings. Both processes are accomplished by this single command.

I still need to set up a system for all the UI controls to adapt their connections depending the updated locations for each module. That should be fun.

@deadlycopter actually thinking about it a bit, if all you are looking to get out of the compressor code is some current "compressed" value based upon some input signal then the Faust compressors offer you dB values as output, e.g.

Link Preview Image compressors - Faust Libraries

favicon

(faustlibraries.grame.fr)

now normally we just apply this dB value to the signal level to get a classic compressor - but there's nothing stopping you using it in some saturation component in Faust... you just need to convert the dB output values to something you can use in your saturation code

@Chazrox

No worries, the question wasn't asked in a clear way.

@hyperphonias
This is actually quite a complex thing you are asking. A compressors parts don't really exist in isolation. You can't really create one part of the design without thinking about the rest of the design. For example some attack release algorithms support variable width knees, others do not (or in the least will give you a much harder time). So if you don't pick the right algorithm off the bat, you may end up ruining your design. So you must consider the whole compressor at once when making a design.

I don't think I'll be able to help you with this one, I'm short on time these days. Maybe someone here can point you in the right direction if they have already made a scriptnode compressor!

Else, take a read of this:

https://www.eecs.qmul.ac.uk/~josh/documents/2012/GiannoulisMassbergReiss-dynamicrangecompression-JAES2012.pdf

After reading this a few times you will understand digital compressors. And that's not a bad thing, if you're wanting to build one...

@Lindon appreciate this reply. I will give it another go.

It will save groups of nodes, so it can be useful if you've deleted a complex chain and want it back without repeatedly clicking undo.

@aaronventure ah yes, that was in the interface designer. I think it was folding a node that made the mustard go away.

@Christoph-Hart is it?

That if NOPE was just replacing the hardcoded effects in the project, no?

I just think that:

If it plays in HISE, hitting Export should mean that it will play in the plugin; there should not be any hidden steps using Faust or SNEX in a network shouldn't deprive us of functionality that doesn't play with AllowCompilation

AllowCompilation is a performance boost for "lots-of-scriptnode-stuff" networks, right? For faust I measured little to no gain, but right now faust seems to need compilation because of the way it's implemented.

So if that could be done for the raw faust nodes when hitting export, then they get replaced with compiled in the process which should, if I got it right, have it work when exported and leave the networks available for global cables, direct access etc.

Done!🤙

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@griffinboy the way you could make this i think its with a bandpass and a gate something like this. I made a denoiser plugin only using with nodes and it worked so yeah. but i do not know how i can make the bandpass filter and still hear the other frequencies