@aaronventure 5ms is practically instantaneous. Set it to at least 50+ms. You may also need to set the voice amount to 2.

@Christoph-Hart said in The need for Spectral Processing and AI in HISE:

You should be able to use a custom C++ node with this code:

It would be great if there was some examples for custom C++ node usage

@Lindon said in Compiling problems:

@Sampletekk said in Compiling problems:

@d-healey said in Compiling problems:

@Sampletekk Yup, you're now a C++ developer :party_popper:

Success! One question: The app is called "HISE Debug", is that correct?
I ran the "Hise Standalone.jucer"

make sure you did this:

Project>Compile>Build for Profiling

Bingo!

@virtuscapeaudio another way if you’re interested could be using Shopify’s but buttons so all the products are hosted on their servers, but could be more expensive than something like aws s3

@ulrik Perfect, thankyou for the demonstration! I'll take a look at this and have a play around.

@d-healey Of course! I overlooked that critical part and only focused on the decay. Thank you so much, Dave! That was illuminating, and I think I am almost finished with the most sophisticated hi-hat script in history of the universe :beaming_face_with_smiling_eyes:

@Dan-Korneff thanks Dan... but fixed it..

For anyone else having this problem: Its all about file access permissions...

turns out the mac wont write to my portable drive, and sadly the compile process wont report any errors when it fails to be given permission to write to such a drive....

@modularsamples This is great stuff, thanks. Howcome this is contained within a fix8_block? I'm new to script node, so unsure what that's doing.

@Lindon @d-healey thanks guys i figured it out :)

@ulrik I guess not... my bad

@ally try run the sfz with this: https://keypleezer.com/sfz-to-hise-converter/

@aaronventure

This is quite problematic because it requires you to know how you'll approach grouping

You can move them to another group after you've mapped them. It's an annoyance but not a show stopper. The table view helps a lot.

Well… if I think about it… I shouldn't bother with it and instead focus on designing my interface in a way it won't urge a user to switch to generic mode :face_with_tears_of_joy:

@oskarsh I use Figma and eyeballs as well...this indeed will help with precision.

@Christoph-Hart said in Polyphonic script FX only stereo channels:

Yes, actually I should prevent them from appearing in the popup (just like with a normal Container).

Got me!

@aaronventure Just slap a sampleandhold node after the noise generator and use the converter node to control the duration as milliseconds:

HiseSnippet 1396.3ocyX8zaaaCEmxIzdNIsocce.zwTfBC6rttArC0M+wcFaNwnJKn2JXkniIrDolHUR7FFPA1kdam6ggsuF61NsSqGF1Wgs68av1ihxV+wtowFIEyAHPjuG46O72u2iR8iDtToTDgrpez3PJxZCryXtZ3tCILNp6dHqah6QjJZjsYpcFGRjRpGxxZkGqmvp9pnjeu4g6P7IbWZ1THzwBlK8qXALU1r8a+kLe+NDO5QrfbZe+1ccE7cE9hXveVA2DERbGQNgd.QqVELxp59dLkHxQQTTInyNBuwNCEmwM5eLSxdtOUOnExA1HyzncGx785OIVkHj0p8yh7ULQ9Gg6w7XSmOKCbqDA1YqHeNvpxE4RsV.WxJmKspwktM1wMhEpxjn8m0wc4vAx.Bjpy6JFcQV+FdWAn.W0HfLh1IBFLcAa8flMumM7u694Ch4tJlfaK3GHTzC4ac209t0pu12ulcYQCFLWYZyDI78oQyUr9zM5hV3V73fmSitm8oD+X5TEgvuXNs5kKm5Zh5bJJ3c4L0ggzzwcD9d5bk94YOAPooM3out6dDEQenjNGnWHMRwzti0dzSATs4HpNdOpbjRDB35YN+.jivK1mnJBmz7lTAP9nvYn9fhKYpw44UK.Fq4Ehwtrt3sw8YJ2gy2GqLGeDxTWG9XJy7F38GLf5pxbvUwcd5xRCatvzv0RogfM0Feizg1cdZq4R.eINCrGFQCIQziD88Ii2RRBB8oOA7w6Y+beg6HG12RmkgDZbgczZrk6PBmS8kKCQp5UTwIzSDwJF+jdDUD6bjE9f3.GnLsKc2TuClyphlCYF2TOViKbnbujA+K7KUXK8XqTgslHLG86.p5LQznjiizmQV0L4dYRR9YCNuE5Q99hy1UDDxRQovYPxb8E9iCGJ3LW8TFMl3oOJPDCFI0c+Bh7HByWCqchkPgBuC4NfxIswrV4XZjLYiqga1.9Cf4GH7.Q3NDWHwNtOQMTyWz0d.vIMpg6TPZAeMONQuESZyYxRfKFnC8jlbqjqXiAOpGArsJlcsq7XsTWhO5X84s14Q58Tq9Gj5eFUERWnUqlbilwginMxIdY8OsH.Re9j5k6wjg.RemXfwZ3SElQGDbO54SNz2GvsdPM4jkOAHzmDAc7Ul0Wc5H34dLdZHmU4oG47Rycq1NJZnlZkuJpyH5YljP9Y04op5ZfTzL6B5hM88aOioe4eU1z+xqd0uNqoa+CAu9gld4chneSLf2FWx9uXz6x9u4gyF5MWvPeiD6a+DM+AMy9iV7bOXrEL2+Xn1z0logZLuUSWC2eHQNis0sft1sc0jKALmvNG8cccUkSAhFsD68NIkaf59MxT3Jq9RQxvF3dxscR5ZAJmcgfiHQmPUxzaHwotl5uIUG6BNwlXSqNB2aHboqrLpVXc3Bpw5ajhJR0sV37d6ebAw60vlMnz1Lnc9DeYmuPx+CwCNuQQ4KPtuRgZmu0nu1kgs+hW9OKXzmk3Ks48a+nXkH.XhdS6ljlLVCKCDB0vxfvMMsPlJ7pIITYwg.+7kqjq8q+ISI2MwNI9Lbclj2+L2186+4e72x1uGn+2DdqgAjXe07Pi5e4N.pikrS1NPTBGdSLbbMrwDYW8XvqsptWhX9F3.AWrs96NPEk4eI3t7xuRh87luJNjRFUztqarahfEvfqVvfyo.508EnxGW0vtPUqRD4ML.IijKYjcGrBtM8H6.pMDNvsdaz3+u3pBYicDhQAjj2sX4dK+2GuIT.wMR7rzl7I2pOYFn0MO4SgUG2SO1tE5zxQa.yi8LW2ha0LKb6kcge7xtv6urK7SV1E9fkcge5xtvO6cuP8WRLsUq9BS.vu+9Fpq09bB7t3ILOz+AoYut3B

@modularsamples kind of.
Multiple Synthesizer Groups filter by one processor (with ADSR mod and Velocity mod)
Ideally it should be done with a single synth group, but I find that doing so limits things a bit. For example, I haven't found a way to independently transpose grouped voices beyond one octave. (which is kind of essential) The hardwired transposition script affects all voices when applied to the group. Other modulation pathways only go up to an octave. So is suppose that is one sidekick question to this post;

How do you independently transpose Synth-Grouped voices (synths, samplers, etc) by up to at least 3 octaves?

In any case, the idea is to reduce cpu gobbling.