@ALBERTODELRIO I remember having this issue when first learning HISE…as @d-healey stated samples and presets aren’t a directly connected system….if I had to guess you’re probably loading up a set of samples and then creating a preset based on that sample…then loading up another sample map then creating a preset based on that…the samplemap system works in an alphabetical order…so if I create a sample map and call it “beta” then create a preset called “preset 1”…then I create another sample map and call it “alpha” and then create a preset called “preset 2” when I click on the preset 1 the “alpha” samplemap will probably load cause of the hierarchical structure…it’s a bit offsetting when you are just getting going…but I’ve found it a best practice to load up all of your samplemaps first for your project and then create presets based off of those…

@d-healey

It’s achieved; I’m loading samples based on their tokens and creating a module structure. Right now I’m only loading one mic (OH_M) and there are 6 other mic positions to load later with multimic. I should probably investigate doing it manually and exporting the sample map to see how it is represented there, if it is.

const var dataObj = Engine.loadFromJSON("../ArticulationData.json"); include("UI.js"); function createModule(type, name, parent) { if (type.toLowerCase() == "sampler") { var type = builder.SoundGenerators.StreamingSampler; } else { var type = builder.SoundGenerators.SynthChain; } var module = builder.create(type, name, parent, builder.ChainIndexes.Direct); return module; } function createSampleObj(fName, note1, note2, loVel, hiVel, RRGroup /*(j+1)*/ , Duplicate /*0*/ ) { var obj = { FileName: fName, Root: note1, LoKey: note1, HiKey: note1, LoVel: loVel, HiVel: hiVel, RRGroup: RRGroup, Duplicate: Duplicate }; return obj } var builder = Synth.createBuilder(); builder.clear(); var sampleMap = []; var stopper = 0; for (group in dataObj) { stopper++; var groupSampler = createModule("Sampler", group, 0); include("SetSamplerAttributes.js"); sampleMap = []; for (hit in dataObj[group]) { var rrGroups = dataObj[group][hit].RRGroups; var rrSize = dataObj[group][hit].RRSize; var Layers = dataObj[group][hit].Layers; var note1 = dataObj[group][hit].Note1; var note2 = dataObj[group][hit].Note2; var count = 0; for (i = 0; i < rrGroups; i++) { // for each rrGroup for (j = 0; j < rrSize && count < Layers; j++) { count++; include("SampleSortConsolePrint.js"); var fName = "{PROJECT_FOLDER}" + group + "-" + hit + "-OH_M-" + count + ".wav"; include("VelocityMath.js"); var obj = createSampleObj(fName, note1, note2, loVel, hiVel, (j+1), 0); sampleMap.push(obj); if (count == Layers) { // only saves complete sample sets until overflow logic is complete //Console.print("test"); Engine.dumpAsJSON(sampleMap, group + ".json"); } } Synth.getSampler(group).loadSampleMapFromJSON(sampleMap); } } if (stopper > 4) break // Let's take it slow } builder.flush();

Working good!

@pgaudioworks

Lots of info on the forum.

There's a 101 guide in the docs:
https://docs.hise.audio/scriptnode/101/dsp_network.html

And some examples in the tutorial repo - https://github.com/christophhart/hise_tutorial/tree/master/ScriptnodeHiseModules

drawFilterGridLines seems to do it

@Lindon Hi Lindon. I used this now and its working as expected.

inline function onSampleViewer1Control(component, value) { if (value > 0) { local id = Sampler1.getSampleMapList()[value - 1]; Sampler1.loadSampleMap(list[value]); SampleName1.setValue(list[value]); Sampler1.loadSampleMap(id); } }; Content.getComponent("SampleViewer1").setControlCallback(onSampleViewer1Control);

If I take out the part you said was incorrect, then it stops working again.

Is there a different way I should go about this now?

@d-healey it works, thank you

I'm not sure why but for this to work you have to set the intensity via scripting from the knob's callback.

Constant1.setIntensity(value);

It is - on the Project Tab in the node loader. Done!!!

@d-healey said in feedback needed :):

As you get higher the notes (even though they're the same) sound brighter.

Yeah this is something I wrestled with for a while, I tried using a single note and spanning it with Loris and catching the harsh frequencies with a dynamic EQ but it just didn't sound the same as sampling the higher string/fret

And obviously there is a huge difference between playing the open strings and playing the same note fretted.

A caveat with this is that (at least in my experience) bright strings are sought after in aggressive music as they help cut through dense mixes, open strings are a lot brighter so I've intentionally used the lower open samples as the "main samples" that take up most of the keyrange

finding a balance between brightness without it being too harsh on the higher notes was key

@orange said

You can use more user friendly general terms rather than using Waveguides and Residue.

Yeah this is definitely something I'm still battling with, I heard Alex Hormozi mention that the average american reads at a 3rd grade level so the writecopy should be fed to a literacy test algorithm. that being said, I think the average VI enthusiast isn't your typical customer, and they're generally more curious about the "story" of an instrument or piece of software, so I'm trying to find a copy that's easy enough to read, while still having some of that technical aspect

Plus "digital waveguide" sounds way cooler than "wavetable synth" 😎

They can download it after Newsletter Subscription.

There's a free tier for the Patreon which can essentially serve as a mailing list, the website needs to be Static to work with github pages, and there's a button inside the plugin to open the store page instantly so I'm trying to avoid "gatekeeping" the download behind a signup, I personally hate the friction and I'm trying to keep it as few steps as possible between discovering the instrument, and having it on the users HDD

I really appreciate the feedback guys! It's all going on the blackboard (btw I bought sticky blackboard paper for like $4 and it's the best investment I've ever made)

@CyberGen This is what I needed to see. It all makes sense now. I think I may be able to work it out from here. Thank you!!!

@d-healey got it - thanks David!

@HISEnberg I havn't tried it for a while now, but last time I tried it didn't work I'm afraid

@bendurso You're doubling the signal. 1 signal out the regular outputs and 1 through the send effect.

maybe I'm thinking about this the wrong way... I could make the texture with Unity and implement it as a shader?

@d-healey that's what i'm looking for thanks ❤

@Lindon

Thank you, this is very helpful!

@clevername27 said in HISE Changes and additions...:

is that available as a Tile I can use in my plugin?

Sadly not... yet

@pgaudioworks said in How do I add the arp to the UI?:

How do I add the arp to the UI?

You don't add it directly. You create the UI using standard HISE widgets and connect them to the arp's widgets.

Solved.

I didnt realize having the "note length" of the arp set to the highest setting would cause this but sure enough that was it. If anyone else comes across this, insure your Note Length is below maximum value.