@FatMitchell Yeah scriptnode can be daunting. I wish there was a single, comprehensive resource I could point to; the best I've found has been a combination of the docs and searching the forum internally + via google with the site:forum.hise.audio operator. The snippet browser's been great for learning structure.

We can actually replicate this in HISE's module browser faster than scriptnode, so let's start there.

Roar's waveform makes it look like some kind of modulated wavetable distortion. But running a sine wave through sounds like what Ableton describes: the signal + some white noise driven into a basic saturator. Notice the way the curve goes from smooth to almost a square shape?
noiseinjection.gif

That's the same waveshaping you get from ShapeFX's saturation mode. You can see the curve change in the SNEX version:
snexshaper.gif

In this snippet, I've got a container with two noise generators panned in either direction (waveform generator should work too) and an instrument. The container has a ShapeFX on saturation mode, and the noise generators have filters linked to macro knobs. The single UI slider controls the distortion amount + the noise volume. The limiter at the end is just to wrangle the volume.

HiseSnippet 1978.3oc6a8zababEen1k0UTNFwtFAo.EEDB4vpBWGsQ1NtHHPzRqVKgHYuVqx+PQgyHtyt6DycFVxgxdcfA7gdn8RABPQuTTf9In.sW5w5BzO.snWCPa9BT3a8XyaFRtbH0p0RJRNYsoNHfYdyaleu+Nu4IwVAbWRXHO.YL6NC8IHiyZ1dHSze09XJCsQCjwELuEmFRraPCE7.AkyPqLzGGFR5fLLpbS45LlsJR8ySWdErGl4RxlBg9.N0krIc.UjMaKm2i540D2grCcf1puhyFtb1pbOdDfoJlKh7wt2C2ibKrbYyXhL9Nq0gBHos.KHgHipqv6Lrce98Ywq+Cngzc8HxA0QsgMJd5lbuNRDKmEsZepWmVoxdHBYX1JSSTIVSbQysncnilOSi7pJB1YbnqOLlIO7pjCd00g2hZvaLPxPCRUigz4Ma6FP8EYTj3YNyMXBRPWLn10gR7ZQybtJlqxgUvDWd.9djlAvfQbT6ZKt3krgesv6XYAp9Pg8d3.618w9jleTc620V4Ob4dDwZc6RbE0lWQyFHNeddT9IR+gPfKqep09XbSRWgsbAyuvk1O0so85mR15mA6rEk4QYD6tQLWoemMm8dL9t0kBS.2qlKefOmAh0kfi2Khrf0mYMq0a9lgDgsnOwd.9A1c10tKOPMLQjr6AmfceR.wxi6h8jKqQ.cOB.5qsHbrG3FDGGvCcAOWLXhCU6xrYaS7BdW60X8.bKkMozzD6BKtIOnAwktKwKr1O9sthTykpiuLbd2PHBn6FIH0FMqj2DI6GkhQIaR3TiYCBQlBGDcV9sgEyeFTROc.HYnp1nsWsWKrv67HKqGAGRpCCv3pop4Zyqvv7KHOoDivpXOucgHzZ4sM.N0rZ2hKH2lUK197HK6hj51crzR1KORvXIKSbDLIFqwhFrKIHm2ArPHZJeHp4AGhpmAwMVknsPNaCFUbaeB6fxqfRzixv4DTAKUnBlOWRvbaOZGR.hBwrmwTogQJ.mjT7+7vK9eWF89az.KvoaCrivo3SfzwRAvnAYOHEabNhYMaPBumf6qVahoCj4m4g9fQYgeL1Y3nANepCZ+Yhfbf7NQpv.8DiROqDBEunPlwgEREC0usnX1xpGtrkSNY9gEtm2rEU31e73clwfWP8eZi2j6ddEy3rhYfspYyOZhWzbhCku6ATPvYU2l.iHA0OIJEv+PWJfQkSiq9Oyo0U+OWclKi89FL163Wj2LZm+4SSfmTBPRwciJ2JGDVMJXu3BhWghCkUVoqqjyopmRex0gIZAafdH1l76mape4+xArIZQgutys2iDDhG3C0h0S2+QKb2Yok1zYaRmn7Q62HRv6UHofJ3eClejPe13afzXcK5CxkJQI4ModPUqg4bJpbnsD0mnk.sMOR.R3VXnBJ3rMuUzf1PlGWB3GvXPgSvbFyHuROd7hxwRHzlv5nF7+geRHVWN1HgX8Th5NaWH1XaY1XHCOf5FlXsSGVL0pfrFCCRRGcoWN8N8CHg8Am7hDfZAgByxawDjsIdDbnlt9icjUIDnf0XNhLhi8fxHusLLV+zxHUDIug1QNF7nbQH6GLINOjwgjZOIgVtyx4Ke3uIkohGzSBzPwVv6hh70ErDt1OgoVOtyE6wAITfqtU2oqb4dM0X6ODCu.5lD3RcYh5C7h8GO768ON4uX+1tB332I.yB84g4131jAzcfZXyE0+9gvqXI+7BtbRuQbvXI8zkaBB4X4oMVDEntB5FC3QLwjr0UOb15mQAGUKK33Dr0Hylhw1T3NJHK4dDO3oQI8tpAoKNxSjNad+5s3LteeNi5paz2l.wi85QBzw9XEnh40tny9xl8FP1LFAGj+R0ijtn9QtMQi0d85lwv0VFLZ+hQghUd47QZOmu3H4gfmItQvIuALtWWp5NORWU7z+5o4a.KSIO0kR9sJSI+hTJ4Whd6dk86xeAyVbugwNvwuVUAhYM2r0DyUp9QVdZDg4lp4d7Rewm6bGcydwmlemHrWll9S3e9+9usB0m6gCNTVgiuGd0CoqxqYNRnll7ukVloG798MSL51Rk8zCtOm4c91EXeVAwqeLBhc9e+t0lTP7OnPPLBc8+bYPbYPbYP7W6+rUphOuYJPmybz+9AGX.7u8Wc8mzf3gyEv8gzNh958mbLs+ZCnX1.QKo8qX3Zkm2gqSad9xWD.p7oI.qbIld.7qZ1B+sAGhmG8s3a9di7JI8FI9u+1Qq4HKW1bjxlin0bjkJaNRYyQdAu4HVxliLwjkmHcGAg9S+cmxGVU9vpxGVcZzcDKY2QN5QwG01i7Gt9uurGmkQwkQwmzsG4rlYe+Ek8Gor+Hk8Gor+HureFCvtA765F+c6HSwXolAreL0WiXU3kK49VcfWkrky.ZG5cccS2EiYbS+Nl5bWeb.vorlIi4je6MY+gg0nDCkQSb23CatrxLPCzKp5JNCvOP+efaO980o1GxqqSN7dDE8e3u9ubU7b+ykCED0+fqe1E+i27Ke3uXYpJWcrye.A2gy7FJe6JZBxg1a3lBDjhVw0KZEQW8HZEW+EDq35SsVwYM2RN1dohlRDpfo7.X7JGWFu5wkwqcbY7sOtLd8iKi+jiJiVILVewmMmxNFK+TQFDe4KBsUq0TesiFFi9F.Lpf9J.K3zuWB

Since this technique relies on adding frequencies to the signal (via noise) before driving all of it into a saturator, the range and amplitude of those frequencies makes all the difference. Mess with the filters, and try tweaking the max values in the slider callback to see how much the shape of the sound changes.

Faust can handle it, but I'm not aware of any demo or resource covering this kind of routing. It has noise generators, envelope followers and oscillators, but you'd need to script the signal chain and roll your own saturator (or just use a SNEX shaper after the Faust node). I'm still green when it comes to Faust and the topology, but I'd recommend checking out Faust projects on GitHub to see how similar effects are structured.

@ulrik Legend. Thank you so much.

@FatMitchell said in SNEX Filters...:

Is the SNEX documentation up to date?

no idea, i think it's pretty feature-complete at this point so I don't see christoph making too many changes

Thank you both!!! Exactly what I needed.

@d-healey Added the forthId.. But ComboBox doesn't show List entries like the regular combobox.
here is my snippet..

HiseSnippet 1164.3ocsV01aaaCDlJIpXVaCXYX+.37mbvxbsaS6JZQvxhSRmQyKFUYYCXXniVh1hKRjBTT01sv+m2+fs6njskSU6JLV8GDLuWd3Cui2cbfVEvyxTZhSiqmkxINegq+LoIpWDSHI8Og3rq6MB9jTk1zSEqxSjjimkxxx3gDGmseNZlSicH1e+8OdLKlIC3qDQH2nDA7yEIByJoCN5Eh33yXg7qEIUr9fi5Gnj1MBnz1tcHorfaYi4WxPy1xk3buSCEFk12vL7LhyNGqBm4GolHKr+FQlXXLGWzk3C.UH9LUbHxXTJoWjHNbvhidFAPYvp.w1EAhuw8BQnXo7UAjuxpftxipwCmsVmdauF85VkdcpPuZnjSEJsSAk100OPKRMqzf74yc6KMb8HFD1qRkBaIacOW2dJvBoocB6V9YZXwROZ83Nc1mBe16YdPjOyPeMSSWjw6ROjtv2wb3BPRpRBKZ0boEMAG8t+8omJYv4hds8ahJj6szj1YbiU9Ef3Vu0qQyWpl7ybw3HSymRe3AdyKwvmanlHNMPEC2ynwrYpbSM3zypOq0u6gf0+D.klmIzYF3u6CRNmMjGuTHsvbqFLNhJtlO0XE7qhPSTym9fNc7lueE374PzH7t3cbtwnjuYMnJjUHBQEDc0KJVpFONFswny4U1LHbu9lccjPuXuV.qerHjqshtfM8FVbNJ9Qs6fR7M7TewaPIcKjr.5mTB8hnBTGYhrPuDYHKNTcrZJJKgMEDAHTAfFdy+ixDx.UZdLbQ1lUL1T6DgIhloR3zPlggF0xDIxnAr3X3ijNja+OOjxjyLP08d0jAgK.m.tCYPJ8sqRd34FgtH8TIKTFCWEpf6MvAuxAjB9NPvjplv4uVPUvgPWGziXwYqiMFTWGZeiVHG2jVC3myf6XwBI+a+un7AuCrOOWXXZ.VOaHWHQbnixkAFgRRUxh66P7bHzGrkZ3esGduApIyTw71o.oLsLZrPF0AXzvqgXDtnMluoGdHjviEA21bOuFfm2w0BcPtB1rlzuih9oUS5KC4SQvl6MGnUMUfKYz5LbumUg6WpL7qjsrL1atG8tpFMpVcXCGsBtAoqUMNvP+gbrkLOYHWuOzICJZVZHzEc8Vytu+VyUmbDTz+qhgJYeovbUJW99lmPJaZhswKYEXpw1D+qKahyCWDVIhPrK9xnLwR7piPI+RerbYAb.xvtkx0FAdPbNg+ZXDawLhFtmvyt0nRs1V1uFlZ9Qu4SqNMd1pEsNZB1hXof+b9QQ1d3qLQbD4cGZAiKUgXWj0mghObnTAj8VavENbRlILyp9vh+2Fr9wRwccGHLAQ0ywspgiP14SAGKeNxW5d5nQ7.yJBti6Y+1ml2dPdIL2EZ2cAC55A2GbuLOwGZaEvgcWJ4wX0iyV387h0cv0XDvmKCsK9G3Woxt3ZmRkcWnjjvBzpWETTcfO34yrR.NIsu0qg6E3Z5xxAW2Ns6PRf2d8pf.73+8PoW897fMvmGtA9bvF3yi1.ed7F3yOrA97jOnO3yd+obiJonb.DL3TaaIGmhW+YuER9Wvi7gF2

@d-healey ooooo okay good suggestion! thank you 👍

@bendurso Lottie is a good suggestion as well. thank you all!

@HISEnberg Nice ! I was the "faust community" in this precise case :beaming_face_with_smiling_eyes:

@Lindon
right...yeah i wanted more of an analog style sounding delay.
or less digital sounding delay with less artifacts.

the faust greyhole sounds nice, its more of a reverb, but i could get it to sound like a nice, modulated analog style delay.

It is tonly part of the instrument i am buiding, and honestly, I never use delays that come loaded with vst instruments but it is nice to have.

@d-healey you’re a legend thank you.

@aaronventure Right , I could just do what i need in S1 and export stems as Binarual Stereo and conduct biz as usual in the HISE sampler. Seems simple enough!

@Soundavid I will check it out thank you!!!

@d-healey said in Link knobs - On/off Button?:

HiseSnippet 1164.3oc6X0saaaCFkx1ZsRaqnsnWrq1zJFvjA5psT69AHXXt1NovnKoFyYYaWLzRKQGSDIRCIprYLDf7FrWg8Drmgf8Prmi8FrQRIaQEaY6XrtkKhuHIje5vuy4HR984zOh5ghioQ.MiCmNAAzdG8ASIrwcFCwDPut.sZ5Ntf1Sm.iiQ9.MspOWDQynFP94u9p1v.HwCkOE.bDE6g9ZbHlkOa+Vu.GDrGzGcHNT4oeZqddTRGZ.Mgyhp5MASfdm.OFc.T7XUzAZu0t9XFMZ.CxPwbF0l5OcvX5OQRe9ivw3gAHw.Gv.9BkN8dz.eAiEyB5LFG32elZiA7Uoet1qlp8GnuO1GOe9bO3tx.V4HT8CsJEoW0BzyQkdMUn2RnjlBkpkRo6oOvKBOgkGQvm2VuGgghFA41tJUReVPk+rldGJ+IHrGGBOAsWDevbD1OoYyGY41rY8cLM4VeLy5TXjU.lbRaFw5KslA8XDqCMbBkvGX+vr3OjiJGzKHzgNkBQFcQ.tqDfaQ.CvgSBPh8bh7H2aJ.s6nQHONhzvVx3kAzcM.kYzDS3JDYMJg3wvThEkHoufnQz.auYr7Q7UOHAU27WLMZzPgdONFwdFiEgGlvP1pAD+bFLdlLvirryrSAkNRDvtdcSC9RZH8.wZkN8mLClQgr4VV1byxliBPCCSiyLOaGSohDHyTUGXPvP9oM6hhUPxR7C2U3GFlWMJdELDm0ZHq09UMDE6vsb6vU0NVpijw4UtGAOxNafTMMZbI8jNTQ06X0ng0giwwV9TTL4iY7eaAISYiwjim6GdigjiQ9102QpFCgdLWyI2kK0hhfKVEAd.kgdIwVJDyyLstbnQiVZrr0J.EszvhB.QqBnMIIbHJR0FEOH+VwhW0pW9UspUB7RsEkGjR5QvrWNAQJq9.HyK4WKWMiU7+hIuT9NYWJOH.6ih.X9cu2RW9ZAHIbVwsyevu+As.aLX2E.eQofamvXThDrgd1KvBvS+7s85BYPQkkL0vU3DTDCKLOstnS4koSqyXn2EEeBiNQJ2rsN7JuqUv+bdB+nVSyGzqUHTIlcqPrue.pOMFKdWmG48DVz7Ddq0ZRJKp+kRnZeI1WTH+.Po4+B07WaC747k87iTXv4+XKvhEv4sNP8SBfrh8SHtSJKffMpEwEEpIbVNUsIq+0ZxXSo38z6iYdiWNGqrDNx2k8lfiYsl8t5oEtU6Kcuu+MTeXUTx+sm2V77JJxzeGc0VOJqA4e64vOrUWT.rfQ8cXe137I9gVKoE5djS4GT6SCfQW1lqtw5zY05r1FuWPHIqq06WuutzlutSR4q9q2j7t58g+e8x9anILdWN6C48wwulU+fjvA7uWnGhSOBAEHp4qUQTcNcbSwXAIFfH9xA+M+SVPGwXsrfNyBBtpGtK8a+95e8Od+Kt4v8MGtu4v80lC2+WjiPnWD8UdoslKNpca4LbcSj+KqLz2WL1xYwNx4MghekmWwkZAftaKvmrs.e51B7S2Vfe11B7y2Vfew5AJ9u78rDFML8rA.re+ckeCJMscIP9tb4wDv+vSBr9E

Thank you So much Sir David :folded_hands:

@Christoph-Hart that makes sense. so essentially it's not possible as a stand-alone audio fx. That would be a cool possibility because the graph looks cool when it bends with the drive :)

Thank you so much for the response @Christoph-Hart, always a pleasure.

@bendurso I just downloaded Hise 3.0.1 and the process of exporting samplemaps (with multiple velocities) to wavetables was working properly. Maybe something broke since 3.5.0.

I would use the hwt files exported from the old version but they don't work fine on the latest Hise :(

@FatMitchell Ive almost got there but is there a way to reference the actual box that selects the wavetables?

Wavetable.LoadedBankIndex shows 5 but not my List of Wavetables.

@Soundavid Got it thank you!!! changed radio group to "2" on both buttons. Cool Feature! Thank you!

SOLVED:

under component-specific properties change the index to 1 and it works, rejoice!

@Natan is there a way for the user to interact with this polyshapefx graph?