@d-healey Nice! Command-line tools are usually my go-to as well but what I love about Myriad is that it gives you a visual preview of the fades before they're applied.

You select a workflow then up/down arrow through all your samples in the list and the waveform panel shows you all the fades it will apply when you hit Run.

Real nice to have a sanity check like that!

I use Myriad to batch process samples. It's saved me untold amount of hours in the last few years.

zynaptiq: MYRIAD

Zynaptiq - Audio software based on artificial intelligence technology.

(www.zynaptiq.com)

You can run individual tasks or create workflows to batch process in groups.

My usual workflow for trimming samples is something like:

1. Trim End below -70dB (tweak this based on the group of samples)
2. Fade End below -60dB (this produces a nice fade to zero at the end)
3. I also usually trim sample start below -80dB, at zero-crossing, because Logic Auto Sampler always has a bit of start gap.

You can do a lot more in Myriad (normalising to peak or LUFS, trim around loop points, set MIDI notes and velocity ranges, etc). Very handy app!

The problem with unnatural-sounding notes is when using samplers, correct?

If I'm using Wavetable Synth or Waveform Generators the current legato methods will work?

@Chazrox Can this fade between sources 1 and 3? Or do the fades only work in the order of 1 fade into 2 and then 2 fade into 3?

@d-healey Great, thanks! Ouch for having to redo your video!

Hope the course is coming along well. I'm looking forward to it!

@d-healey said in Linux IDE’s:

Ignore the IPP stuff because that's all changed in the last week or so - I need to update the video.

Has the IPP stuff just changed for Linux or across the board?

@Oriah-Beats Try the snippet @d-healey just shared. It works fine for me to get that classic mono portamento effect.

@d-healey Yeah, the retrigger can sometimes end up with the wrong note as a destination. But mostly this works perfectly! Thanks!

Your requirements aren't very clear.

I understand you want the original sample to play when the note is played, then when the key switch is activated you want the second sample to play from the beginning.

But what do you want to happen when the key switch is released?

Do you want the original sample to [1] no longer play (meaning the second sample cuts it off) (I just read in your original post you want "continue to play the sound of the original key position"), [2] the original sample continues to play form wherever it would be without the key switch interaction, or [3] the original sample plays again from the start?

@d-healey said in How to use KeySwitch to trigger sampling?:

@CatABC said in How to use KeySwitch to trigger sampling?:

the sample of the second articulation does not start playing from the beginning

@CatABC said in How to use KeySwitch to trigger sampling?:

@d-healey Yes, I want each articulation to start from 0

lol make up your mind.

@d-healey You may have misunderstood. I think these are 2 separate things. The first is what happens when the OP tried your method, which is not what they're after. The second is the result he's actually trying to get.

@Oriah-Beats said in Mono Glide:

I used the mono script that @d-healey shared, but it doesn’t seem to have any noticeable effect — or perhaps I’m not implementing it correctly.

Is this the script you tried? https://github.com/davidhealey/HiseUtilityScripts/blob/master/modules/MonoMode.js

@d-healey What does this script do exactly? Skimming the code, it looks like it has all the right parts for mono portamento

@d-healey LOOK AT THAT BEAUTIFUL RELEASE CURVE! 🥰️

@pcs800 Sorry, haven't read the whole thread but have you tried with the HISE source on C: drive? Just to rule out anything related to different drives and unexpected paths

@d-healey Yeah, it's quite different to what I'm used to in Ruby and Rails.

@d-healey It would be even better if instead of this:

OSC1.setAttribute(OSC1.VoiceLimit, value);

we could do this:

OSC1.VoiceLimit = value;

but I'm guessing that's too dynamic (or something) for C++?

Just my 2¢ - you can see which commits are passing or failing CI on GitHub. It's probably a good idea not to try building from one of the commits that's failing for your OS (Mac/Win).

@HISEnberg Might be an idea to wait and see how the Azure system rolls out.

Sounds like they'll open it up more over time.

@Chazrox Perfect! Thanks

@d-healey Is there any documentation for the six frame method?

Just saw RNBO 1.4.0 adds a new export target called Minimal Export for C++.

Might this be useful for adding RNBO to HISE in a simpler way?

From Cycling 74:

Minimal Export

A heavily reduced, engine-less C++ code export that is targeted to enable RNBO to run on small “bare metal” targets like Arduino Giga, Electrosmith Daisy and similar.

Here is the documentation: https://rnbo.cycling74.com/learn/minimal-export

Comes with these example projects:

• RNBO Minimal Export for Bare Metal Targets: https://github.com/Cycling74/rnbo.example.baremetal
• Example of how to use RNBO code on the Arduino GIGA R1: https://github.com/Cycling74/rnbo.example.giga
• Example of how to use RNBO code on the Daisy Audio Platform: https://github.com/Cycling74/rnbo.example.daisy

Enables the adaption of the Electrosmith oopsy platform for RNBO which is currently in beta testing: https://github.com/Cycling74/oopsy/tree/stb/RNBO

@d-healey In my experience, traditionally the term 'encode' means to convert from L/R to M/S and the term 'decode' means to convert from M/S to L/R.

So maybe it's the names of the modules that are wrong? Although I doubt that will get updated for legacy reasons.

Still confusing though!