@Sampletekk said in App Specific pw:

@d-healey said in App Specific pw:

@Sampletekk Yes

Do you need to do something to "connect" the developer side with the private side? Any settings that needs to be made?

When you enroll to the Apple developer account, you should use your Apple ID, so in that case they would be connected.

@Gab You might need to convert the value using Engine.getSemitoneFromPitchRatio();

@d-healey Thanks, Dave.

@DanH right so just 'FACTORY/YourCoolPreset' works... no need for .preset at the end or 'UserPresets' before :)

@mmprod marvelous，I success，thanks for you😆

@bendurso I don't know, I'm quite happy with InnoSetup and Packages so haven't looked into it.

@ustk Perfetto is a beast and requires you to sprinkle code snippets across your code to allow a good trace.

If you enable debug symbols (!= debug mode) in your release build then you can also use the Time Profiler in the Xcode Instruments toolkit for finding the CPU hotspots.

@Lindon Everyone's opinion is welcome. You will not be ignored.

@d-healey said in Can I hide/collapse a long piece of code like this path?:

@VirtualVirgin

Right click, and uncheck "Enable line breaks"

a85c46f4-8f4f-41d1-892d-8eab2c2ec354-image.png

Thank you!!

@filipalex96

You need a wet only delay path in scriptnode.

Open the wet dry mix node in scriptnode.
In the wet section create your delay and fx

@d-healey Yes

@orange Yes I did, but I don't see where this path has been modified, the width is still the one from the panel with no reduction

p1 = gr_peakreduct.createPath([a[0], a[1], a[2], a[3]], [0,1,0,-1], 1.0);

[a[0], a[1], a[2], a[3]] this is equivalent to just write a

@d-healey But in this case that would mean delivering the file in question along with the binary, right? I am not sure it is "appropriate" for a neural model.

@griffinboy Why not simply paste it in an included script file that only serves this purpose? After all, having an include line or a variable you load a json into, there are not much differences in terms of code weight

@d-healey I notice it quite a bit with synthesised samples too, hence my interest, even more annoying is the tendency for crossfaded sounds to have volume dip between layers. Smoothing helps a bit (smoothed parameter in low pass mode in particular) but it's always there to some extent.

It's a shame physical modelling (of real instruments) never really fulfilled it's promise, but then many of us might not be here, or maybe we'd be talking about HIPME.

@Matt_SF Yep good idea, cheers!

@clevername27 Cool, hadn't thought of that.. Got me thinking, I wonder if it's possible to give a table envelope a release stage somehow, maybe by inverting a gate signal to activate a standard envelope on note off?

@d-healey It makes sense. You will hear it.

The current communication regarding multisamplers and Christoph's recent tip about harmonic filters has taken me to a whole new level. I already have a sustain separately in another sampler and I used Harmonic Filter + Random Modulator for sustain. I'll make a short recording. You should hear that.