@ustk 👍

@TNTHM every component need to have a unique id so you have to have another id on your second viewport.

Just copy the SampleMaps folder from project A to project B.

If I understand correctly;

If you make the panel 1 invincible, normally viewpoint will be too, because viewport is in panel1.

If you want only viewpoint visible, then group other elements in panel1 into another panel and make this new panel invincible. Do not make invincible panel 1, because it is the main container.

Or send a snippet, let's see what we can do ;)

@d-healey Thank you so much.

Link Preview Image One knob > many parameters

HI there! Anyone can help me to link a know to both Decay Time on ADSRs on this example?? Sorry is to advanced for my basic skills HiseSnippet 1082.3oc6Y0sba...

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Forum (forum.hise.audio)

@TNTHM Yeah, just as you said :) A parameter = a control so just put in your script, when the control is activated do what you want it to do.

@ulrik No worries mate. I'm on Mac High Sierra at the moment.

And if you use the for in loop you gain a few more characters:

for(eq in eqs) eq.setBypassed(value);

@Christoph-Hart I will try that, thanks!

You can load it into a convolution reverb and just run a single impulse through it, but then you‘ll have the most inefficient sample player on the entire planet.

Scriptnode is the way to go here. Why doesn‘t it compile on macOS?

@Lindon OK well its a LOT better using the Ladder filter - the Moog is, as has been mentioned, really not worth the time. "Complex" audio can at times expose the limitations in the filters(more than one of them) but I can live with it.

It just leaves me wondering about the filters in Kontakt - which exhibit none of these problems. My knowledge of filter design is limited to say the least - but my mental model says its all about working out the coefficients and applying them - so I cant see why NI's filters seem much more "friendly" - but as I say I'm no filter designer...

@d-healey Damn lol. I did think it looked a little excessive!

Yeah I just noticed the typo aswell. Nice one. Its a typo in the actual module name so it ended up throughout the code when I copied and pasted from there. Doh.

Just checking the example now. Makes much more sense, thanks man... and it's loads tider than what ever the hell I just did 🤣

Much appreciated mate. I'll get this added in

Thanks so much for the detailed explanation and it is much appreciated.

Thank you both for the great suggestions and wisdom! I probably saved a lot of wasted time and effort on this! And on that note, I can't wait to share what is cooking in the background, me and my studio team have been busy sampling away these past few weeks, so there is a backlog of sonic goodness that will hopefully see the light of day in the coming weeks :)

If you don't go into analogue circuit modelling, the basic building blocks of distortion are oversampling, filtering and all kinds of wave shaping.

@Christoph-Hart Oh you make C++ HISE seem so easy and tempting. I know that we've talked about a reasonable limit for the number of samplers in a project as being < 16, but what about in a multi-timbral plugin where each individual instrument might be using 4 samplers?

@d-healey Hello Dear David

I Just Found Out That The Version You're installing Is Different Than Mine, Or What I Can Download From Here link

Also In Your Video, The Total Space Required Is Something Around 6 To 7 Gb but With My Installer, Says Total space required 3.36 GB

I Only Selected Desktop development with C++
And IF Possible Please Supply The Vs Community Installer As A Zip Download.
Thanks In Advance