@SteveRiggs Here are a couple of courses I encountered on my search for more DSP and C++ for Audio resources:

Kadenze - Advanced Audio Plugin Development with C++ in Juce (by Output)
https://www.kadenze.com/programs/output-teaches-creating-audio-plugins-with-c-and-juce
Not sure about the content quality, but it seems ok for beginners. The Basic Course is free btw...

Hack Audio - Creating Audio Plugins with JUCE
https://www.hackaudio.com/juce-tutorial/juce-info/?wlfrom=%2Fjuce-tutorial%2F
Purchased it, but it's very basic tbh.

However the Hack Audio DSP book is quite interesting:
Hack Audio: An Introduction to Computer Programming and Digital Signal Processing in MATLAB
https://www.amazon.com/Hack-Audio-Engineering-Society-Presents/dp/113849755X

The DSP courses on Coursera are good as well. they are mostly free, so it doesn't hurt to take a look at them.

@ustk said in Scriptnode no opening the juce file:

Here's a monologue between me and myself:

Oh my, how many of those monologues I had on here... mostly me and myself solved the problem because the topic was in general about human error in scripting and stuff

That would be a nice feature @ustk

I‘m always struggling with the placement of the bypass switch on my GUI. In logic for example there is a big bypass button directly above my desired placement, so my bypass would be obsolete

Tbh I‘m not even sure when I used the plugins bypass instead of the bypass on the DAWs the last time

@ulrik I think that’s the projucer HISE uses to build the plugins.

Thanks @d-healey

math.tanh is useful for uneven harmonics. but basically everything that clips the input should result in uneven harmonics. Even harmonics are a bit complicated to generate but can sound more pleasant @SteveRiggs It depends on what you're trying to achieve.

@d-healey said in Finally: Fully customize stock UI elements with a scripted LookAndFeel:

@Dalart

Yeah I found it in scriptnode, now to find some tutorials or something to learn how to do this paint stuff.

https://www.patreon.com/davidhealey

I can recommend @d-healey s paint routine videos

@Christoph-Hart Did you happen to find time to implement the FIR module?

Yeah @ustk the sinevibes plugins have awesome visualisations. I'm still learning to draw by code, so the sinevibes are great examples. And the devs are real dsp wizards

thanks @briandoliveira I looked into sketch and after effects. really like sketch for its simplicity, I was able do redesign all my Interfaces within a couple of hours.

since I'm not fully into Lottie right now, I'd like to export png sequences without after effects if possible.
so, I digged around and found a way to export PNG Sequences directly from sketch: http://animatemate.com and successfully merged them with ImageMagick to a filmstrip.

@briandoliveira I'm experiencing issues with drop shadows while exporting layers from sketch to after effects. The shadows are reset to AE native settings which messes with the whole (although minimalistic) skeuomorphic design. Any idea on how to solve this? I'm using the sketch2AE plugin by google.

@iamlamprey yep, that was what I was exactly what thinking. Any methods to get not so linear filter response curves for emulating imperfections?

sure, yeah, but how?

Hey there!

I'm wondering about how to emulate the behaviour of analog EQs with HISE. Not really a specific one, but the non linear response curve of analog EQs in general. Non linear like in not flat as with digital EQs.

Like, how would I go about notching a frequency band while pushing another simultaneously for example?

Is it only a matter of binding parameters to the same "knob"?
I'm aware of the fact that it's possible to calculate filter coefficients and manipulate them with a parameter. But if I'd try to not do it with maths, is it possible to do this HISE filters?

Any hints? Thanks folks

@Christoph-Hart well concerning luck, I guess it has to do with demand, I guess if nobody cares about the software there is no point in cracking it, right?

are you referring to auddict products concerning your experience with this stuff? what copy protection scheme do Hexeract and PercX use?

Is there any audio software that does not need to use a reverse debugger to be cracked, of course if they are protected that is?

Got you. Does this also mean that the user needs to be connected to the web constantly to be able to use your product, or is it a one time thing?

I'm aware that this is not like a Kontakt library. Anyways, I doubt that it is secure in the sense that your product can't be used without communicating to your server. JUCE products without ilok protection have a history of getting cracked within a couple of hours after release.

I get the update and support situation. imo this is the only way to really secure your software.

Of course I'm open to change my mind about that, time will tell.
Wish you good luck and all the best with it

May I ask in all respect why bother with this stuff at all when it can get stripped away easily by any script kiddy looking to get props from the scene release community?

It just seems like a lot of work for something that’s not secure at all.

No offense, just want to know if I missed something.

@ustk thanks for the reply, but that's not what I was asking

math.clip is used in the transient shaper example in scriptnode for gain computation, I would like to know what exactly it does and if it acts as a clamp, like the clip operator in max/msp gen~ for example

@Christoph-Hart so is math.clip something like a clamp between 0 and the set value?

I have a few questions about math in scriptnode.

What exactly does math.clip do in scriptnode?
can't find any information...

Also what is math.clear for?

last one, how can I understand core.peak?

cheers

@ustk yeah, I was thinking about that as well...