@d-healey of course, but does it go before or after the processors bote/controller call backs?
Maybe you want it to go before so that all on note calls assume the articulation is already set and can refer to the variables? Maybe you want it to go after, just in case there's something else happening specific to this instrument where you want to ignore a note on so that it doesn't trigger the articulation?
So Broadcaster.attachToMidiMessage(executeBefore) with the function argument defining message type (0,1 or 2), number, value, channel
@d-healey no I mean I relation to other script editors. Currently a note on starts at the top, goes through all the sibling processors, then spreads to the children but still executes in order.
Where does the broadcaster fit in? Before the processor where it's defined? After? Maybe that would be one of the arguments when creating it.
@d-healey the only problem I see with that is maintaining control of execution order, which at the moment is very clear along the entire tree
@d-healey is it just about avoiding one function call in on note or do you have a bunch of logic in on note for it as well?
@Morphoice in your synth's script processor, in the note off callback, just use Message.ignoreEvent(true)
@Mighty23 it's probably your array of delay times due to how they're fed into the matrix. Try shuffling them around in the list.
don't forget you can just feed the transcript into chatgpt and ask about it, though the accuracy will depend on the transcript accuracy which can suffer when acronyms are used or the speakers' english is not very good. If you feed in the transcript with timestamps, you can just ask for a timestamp for specific claims and check it out.
Here’s a summary of Matt Gonzalez’s talk on JUCE Graphics: Past, Present, and Future:
New Features via GPU Rendering:
Future Goals:
This talk underscores JUCE’s journey from outdated rendering to modern GPU-based solutions, highlighting exciting new possibilities for developers.
@d-healey another win for the globals!
@Morphoice It does sound the same. Your trackpad sends an instant note on and note off. I can confirm this on trackpads where you tap for click. On macbook's trackpad where you have a haptic press for click, it works fine i.e. like a mouse click.
That's somehow tripping up the internal keyboard. Not even changing the hold time in the envelope improves it.
You can delay your note off for development purposes, just don't forget to remove it once you're not on the laptop with the trackpad.
Message.delayEvent(Engine.getSamplesForMilliSeconds(150));
If you're switching between machines, you can make it so that this delay only happens in HISE and for your laptop only (by using machine id) just in case you forget to comment it out 
@VirtualVirgin define an inline function with a g argument, write it and then just pass the function into the setPaintRoutine method call for any panel you want to use it for.
@VirtualVirgin no, just use .setPaintRoutine
The methods are all the same but you don't get an obj, instead you can refer to the panel with this
@aaronventure your calculation can also be done using a PMA unscaled node. Set value to 0.5, plug the input into multiplier, and set add to 9.4.
As for the hardcoded synth thing, yeah I don't think that's a thing. You would have to warp the expr node into a separate network, compile it and use the compiled network inside the scriptnode synth.
@Morphoice right click the filter q parameter, set the range, set skew to 1 and plug in your network parameter directly
The minmax node is great if you need to be able to change the range or skew at runtime.
@Mighty23 nice, you're converting to samples based on sampling rate properly.
You can always test this using the oversampling nodes.
The modulation optimization is the following
modulatedDelay(i) = delay + enable(os.osc(modRate + 0.01*i) * delay * modDepth, modDepth>0);@Morphoice ah, this is where we part ways on the topic - I never got into using it beyond trying out the examples, and I'm not much into virtual analog modeling.
@Morphoice nothing worth learning ever is