@Christoph-Hart Thank you for the information and for your attention
Posts made by Robert Puza
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RE: HISE Commercial Licence
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RE: HISE Commercial Licence
@d-healey I understand. Thanks for the explanation.
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RE: HISE Commercial Licence
@d-healey ok Hise creator is a creator or not? me too? you too?
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RE: HISE Commercial Licence
@Robert-Puza e.g. I will design and implement the reverb control in my instrument. and the user will get the copyright for setting the reverb that I enabled? I designed it so that only a small part of the reverb control is available. so that from the sound designer's point of view the user cannot mess up my settings. And he will get the copyright for setting the algorithm that I compiled because the creator of Hise gave me a tool for it? it's funny
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RE: HISE Commercial Licence
@d-healey Okay. I don't understand programming at all and I don't know the code language. So forgive me for possibly stupid questions
I always respect copyright. I'm just saying that the copyright on my own preset of existing software (open source) is funny.
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RE: HISE Commercial Licence
@d-healey Exactly. But if the combination of modules, etc. change it by 0.000001 mm and it's not mine anymore. Or not?
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RE: HISE Commercial Licence
I don't understand that. After all, what we create is a Hise setting. Is that automatically subject to copyright? Mi own presset? I don't understand it. After all, if you change the setting by 1 mm, it is no longer my setting. Or not?
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RE: Sampler normalisation, is it per channel?
@d-healey multiple dynamics. And yes you are right. it must be decided by listening.
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RE: Sampler normalisation, is it per channel?
@Robert-Puza if you set the samples in the first dynamic level, you have the option of 0 to 127. how do you decide that LoVel will be 0 to HiVel 50 or 0 to 57?
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RE: Sampler normalisation, is it per channel?
@d-healey I only want to use velocities as information from the midi keyboard to control samples in dynamic levels. But how to correctly decide to what force of hitting the keyboard will be a pianosimo sample and from what force of hitting the midi keys will be a forte sample (127)? I think that only a musician can make the right decision.
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RE: Sampler normalisation, is it per channel?
@Christoph-Hart That's fatal. Does this mean that it is more original to create dynamics only in samplers without using a velocity modulator? And if I use a velocity modulator, do the samples have to be normalized for the velocity modulator to work correctly?
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Inspiration
Dear Hise community. What is your initial inspiration? Why do you want to create virtual instruments? I want to do it mainly for beginners and potential musicians. So that they have at their disposal a good and attractive musical instrument for a symbolic price (open source) So that they just turn it on and it sounds perfect. For people who don't know DAW. I'm all about standalone and simplicity. And secondly, for money so that my biggest problem when I get up in the morning is how to make a better virtual instrument.
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RE: HISE Commercial Licence
@Robert-Puza I want to work under GPL3. According to GPL3 free means free in the use of the software, not free in the price. Or not?
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RE: HISE Commercial Licence
@Robert-Puza How can I use my talent to produce a quality instrument without knowledge of the law? I need a team.
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RE: HISE Commercial Licence
@Christoph-Hart The topic of license is very difficult for me to understand. The way I see it is that it would be effective if I had a person in the team who understands it. I'm a sound designer and I don't understand the licensing and marketing topic. So I can't sell musical instruments under GPL3? Or is it unethical? I would never copyright my setup of your software. That is unethical for me. But selling the product under the same license as Hise is not a good idea?