no one is interested in my opinion, but I will add.
The doctor plugin restricts hise, neither the creation nor the loading of script fx work.
Thank God, there is BERTOM AUDIO EQ Curve Analyzer, which allows you to freely test the linear-phase result during the assembly process.
Interestingly, logically, if you embed signal tests as modules into the hise itself, you will get a lego constructor with a professional bias?
Latest posts made by Maarid Ekimmu
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RE: Two filters in a row, how to compensate for the signal
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RE: Two filters in a row, how to compensate for the signal
@Christoph-Hart A giant thank you, it worked, although it was confusing that the main signal meter did not show signs of a working state, but as soon as I opened the effects tab, everything fell into place. What would we do without you?
I understand that you can simply specify this in the hi_core module settings by deleting the line from the preprocessor
JucePlugin_PreferredChannelConfigurations={0,2}?
Thank you @d-healey
And enabling the "DON'T CREATE FOLDER" parameters in the same place will disable the creation of folders in the user's profile, making the plugin offline and without presets, right? -
RE: Two filters in a row, how to compensate for the signal
@Christoph-Hart I don't really hope for an answer, but what if you take pity?
Christoph, can you tell me where to fix or what to add in the source code of hise so that the assembled plugin passes sound through itself? I set up channels and studio as an effect in projucer, but hise remains immune to sound.
It would just make it possible to test the build of the project directly in the plugin doctor, saving me from guessing and re-building -
RE: Two filters in a row, how to compensate for the signal
Guys, I compiled only the template, it's better, but with a heavy load on the editor, there is still almost no compensation.
I have definitely met examples of separation in linear-phase mode written in juce, I wish I could in c++, in hise it is impossible to divide linearly-phase? Or is there some other secret that I can't find as a blind man? -
RE: Two filters in a row, how to compensate for the signal
@d-healey best! i'm stupid, I would never have guessed to open the examples in the examples section myself. Thanks a lot
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RE: Two filters in a row, how to compensate for the signal
@Christoph-Hart
Templates in the documentation? https://docs.hise.audio/scriptnode/list/template/freq_split3.html
Other than that, the rest of the pages are not visible to me.
I honestly try to search before asking, Allpass I met with you, you mentioned in the examples to several people, but even there I could not understand the structure of the construction.
Sorry, I read and answer with the help of auto-translation, there may be inaccuracies -
Two filters in a row, how to compensate for the signal
And the closer they are to each other, the stronger the signal will be in this place. Linkwitz Riley gives a similar effect, more often in reducing making dips.
Please help, am I doing something wrong or just don't know how to compensate? -
Frequency separation, mid\side, routing, one knob controls multiple knobs, Scriptfx
Hello, nice to meet you, I'm a beginner, in every possible sense. In the process of learning the possibilities of Hise, I first of all encountered a strong disunity and disorganization of information about the possibilities of the program. Although in fact, I spent only three days to understand my mistakes or find answers to my questions - how?, what?, why?, and when?
I am sharing with you the result of my training, in fact, it turned out to be a kind of collection of disparate information about the possibilities and method of signal switching, interface control, demonstration of analyzers, as the simplest and most obvious techniques.
Undoubtedly, I am well aware that my obvious conclusions seem to be meaningless to advanced users. But believe me, as a person who spent three days searching on this forum without having any knowledge or experience behind me, I have the feeling that I have come a giant way.HiseSnippet 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And so, in order to avoid delays, load and complex scripting, I had to organize routing by the main chain of effects, not scriptfx. Through many constructions, it was found out that the final routing of the output signal from the main circuit to the output works exclusively in channel 1 and 2, even if you connect all the channels to the output, the assembled plugin will only sound the 1.2 output. As you can see in the example, I had to collect back all the channels in 1.2 precisely because of this, if everything is connected, but not 1.2, the plugin will be silent, although in the editor itself it voices any connected channel to the output, which for example confused me a lot, I for example could not do it anywhere to find out and similar questions were unanswered.
Managing multiple knobs with a single knob, the only clear example can be found very deeply, from the developer himself, and the example was, as far as I understood, completely different. A very very simple command, understandable to anyone who has ever programmed at all, but without an example, it is impossible to assemble it yourself or understand the logic of building a team, there is simply no documentation.
I'm sorry I'm complaining, I understand. I would like, if it is not difficult for anyone from the readers, to express my opinion about the presented example. A person is not inherently an ideal being, I would be very happy to hear an opinion on how in reality this example can be simplified, performed in a more convenient way and possibly correct existing errors related to my obvious inexperience and ignorance of the material.
I will be eternally grateful to you for your participation!