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    Parallel Compression / Scriptnode, Anyone Done One?

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    • ustkU
      ustk @A Former User
      last edited by ustk

      @iamlamprey if you connect the gain reduction to a gain, the only thing you'll get is a cancellation of the compression… automatic makeup is just a gain compensation set in relation with the threshold and ratio I guess

      Can't help pressing F5 in the forum...

      NatanN 1 Reply Last reply Reply Quote 0
      • NatanN
        Natan @ustk
        last edited by

        @ustk The Snippet Above Doesn't Sounds Good At All.
        And The Dynamic Module's Make Up Goes out of control :(

        LindonL 1 Reply Last reply Reply Quote 0
        • LindonL
          Lindon @Natan
          last edited by

          @Natan why do you even need to do it in scriptnode?

          HISE Development for hire.
          www.channelrobot.com

          NatanN 1 Reply Last reply Reply Quote 0
          • NatanN
            Natan @Lindon
            last edited by

            @Lindon Lindon, The Dynamic Module's Makeup Is Too Hot, I Just Tried To Test If The Scriptnode One Can Perform Better.

            ustkU 1 Reply Last reply Reply Quote 0
            • ustkU
              ustk @Natan
              last edited by

              @Natan AFAIK they are wrapped around the same code

              Can't help pressing F5 in the forum...

              NatanN 1 Reply Last reply Reply Quote 1
              • NatanN
                Natan @ustk
                last edited by

                @ustk Thank you for the information, But The Issue Think is more About makeup Gain.
                It's not very Even and way too much.
                Tried a Hacked Dynamics.cpp By @dustbro
                Didn't Go well here, The signal almost gets Inaudible.

                ustkU LindonL 2 Replies Last reply Reply Quote 0
                • ustkU
                  ustk @Natan
                  last edited by

                  @Natan https://forum.hise.audio/topic/3908/parallel-compression-scriptnode-anyone-done-one/7

                  Can't help pressing F5 in the forum...

                  NatanN 1 Reply Last reply Reply Quote 1
                  • NatanN
                    Natan @ustk
                    last edited by

                    @ustk 😩

                    1 Reply Last reply Reply Quote 0
                    • LindonL
                      Lindon @Natan
                      last edited by

                      @Natan said in Parallel Compression / Scriptnode, Anyone Done One?:

                      @ustk Thank you for the information, But The Issue Think is more About makeup Gain.
                      It's not very Even and way too much.
                      Tried a Hacked Dynamics.cpp By @dustbro
                      Didn't Go well here, The signal almost gets Inaudible.

                      perhaps add a fixed value compressor (that moderates the make-up, and is only engaged if make-up is turned on...) after your "real" compressor?

                      HISE Development for hire.
                      www.channelrobot.com

                      NatanN 1 Reply Last reply Reply Quote 0
                      • NatanN
                        Natan @Lindon
                        last edited by

                        @Lindon
                        I Checked a few Compressors with make up gain, all perform very Smooth, Like ableton one.
                        @iamlamprey did a Gain matching, it was close But not so musically.

                        Not sure how to achieve This, Need to Get some rest and Continue Tommorow 👋

                        Dan KorneffD 1 Reply Last reply Reply Quote 0
                        • Dan KorneffD
                          Dan Korneff @Natan
                          last edited by Dan Korneff

                          @Natan said in Parallel Compression / Scriptnode, Anyone Done One?:

                          Not sure how to achieve This, Need to Get some rest and Continue Tommorow 👋

                          Auto makeup gain is a calculation based on Threshold and Ratio (sometimes attack and release are added to the equations).
                          Figure out what your nominal input is and plot a graph depicting gain reduction. That will tell you exactly what your makeup gain seeds to be for a particular circuit.

                          @Natan said in Parallel Compression / Scriptnode, Anyone Done One?:

                          it was close But not so musically

                          This is the difficult part to achieve. Without some standard of nominal input level, your calculation may end up adding large amounts of makeup gain before any gain reduction kicks in.
                          For instance, a low input level would force your to turn down your threshold to start achieving gain reduction, but a lower threshold also increases gain. And a high input level may start adding large amounts of gain reduction with barely any makeup gain based on your formula.

                          Dan Korneff - Producer / Mixer / Audio Nerd

                          1 Reply Last reply Reply Quote 1
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