How to make Mid-Side processing?
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I am trying to work out a solution in HISE but I always lose a signal somewhere in the routing matrix, and/or I can't do what I want with the scriptFX...
What I want to do is clear in my mind, but in HISE I am lost...@Christoph-Hart or anyone else on that?
Also, in a routing matrix, can we only have 2 direct connections + 2 sends? I can't connect 4 or 6 sends...
or to sends from 1 input?
Can we stack up several routing matrices? it doesn't seem to work here... -
@orange then you are doing it wrong or HISE is doing it wrong, that is exactly how you create M/S signal from stereo.
Mono is mid, it has no side, mid phase cancelled from the full signal leaves only sides. -
Just double checked this in Reaper and it created Mid Side perfectly, so must be some issue with the way HISE is summing them or something ?
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@Win-Conway Can you try that method in Hise?
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@orange not right now, im away from home mobile, after the weekend i can try, but i dont know HISE that well right now, but i will give it the good old try ;)
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@Win-Conway I can help about Hise, no problem. But the main problem is in the operation :) I think with a collabration, it can be done ;)
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Ok I think I've finally found something
Tested and compared in Pro Tools with an M/S plugin, I have exactly the same result
Still needs to decode back to Stereo now...
Also, it is easier to test it with a real song in the sampler rather than a wave generatorHiseSnippet 1699.3oc6YstaaaCEVJNpK1qYnqnCX+X+PqXqHoWhujK1AEs0wwIoFMtwyNMn.CAArxzNDQVTPhJoYEEau.68X+bOB6QpuAaGRQaQ4n5ZsktVzM8i.etQd34P9wygokG0B66S8zzyt+4tXM8qZz4bG1wadLh3n0ntl90MZ1n9QcZTeKyyndmPb5qU6bWjuOtqltdlc35omcVMw2adTMjMxwBGwRS6.JwBuKY.gEwsU0mPrs2F0EuOYfh1qTsgE0YSpMM.7oLFEzbQVmf5ieJhq1LFZ5WYqtDF0qCCwv9Z5yVi187NGSOyIT+CH9jWXi4DE05.CTH6so1c4dL+2ZadLwtaqgqceMMciVQQhLgQhaXzjzkLheTD4ZBAlQVnFOzmYRtWQU2qPhtWwDbOMEua1PuCbBZ2.aDKtmwSGRADpSLOqgCC63SXmqlt9f5teoQKBy53j82YRvegD06a+Ul7m2Xqd8vVrHmcVise9e2LcJ1Hl4h9RVi1z.FFl9vfFmBNFZ1Dw7HurXbmJSbmJyz4TIDSjyR3jno+UOMXPG3PoEFBINNXaXvMzyowMUPWfSySQcvNcEDyDIrHmVWJTPjIRXIN8eBebgiHjBWVU3xiIbEUgqLlvUUEt5XBWSU3ZiIrrpvxiIrhpvJiIbcUgiHzRaNszGs4zYmTN03+n4TIFWNiNVdDWlLodUIo41OO9YzP1Zy7qYLf657Ylmh7L8YXOLsFyw7AlaR4Perk5iYaRG3Rc.hEt4HMt4h2e9bQVBWFMIyBEOlMcHcwSxHobgUymqWfiEGd1z0C6h7v6SaYiNeAez.WabaXS4cMegM05jNjeBuXtWkKatWqZiHNUiqvBVx8YfV4u874LgORuEBcQtKb.xN.uvhK9JgH92PK9wBGZdayh2e9KJonpjWe67g+XRi97ukguvac3UkbQUJcn4chnV9PyG9vHx0N79ft4yat6cZCA7llDGyxILOqIlmkJWnbLyKKLO9GLXgCiIxoqYE4Je9bYGsnkIvKwUcB5rJWm6kXNYkXQjUiGQpLJhbOdDoCeoTIgAoRxQj0SNhHFl0EQjhEjgD0Mh7xJcXdT6EbBF7Br2cgSBPjY3FV3fcbX14lNXVpSCGBaOWrr9yXmQTYGcLXH2hZi7oHEsBOPpLwuW.xU.3tHPthvRCuI+sBjmQJLQf7YkBSDH2PJLQf7qHElHP9mIElHP9bRgIBjmUJLBHWh.xq8RlLfewDH5egDBuV.iAUmR.36O2XDNrlX+iZ0zZSw.LmQHfz3VySVuaqyZHOYmf4OqQcDCAqCc4RB1x3h8XD9tY853Sg1vFV8Qcr+ILpqXMKQ8g.xTspe4nI8WpVUo37aU0C0kP2wiF3Nbi6zL1iBHQCrYuKiANJVEMxWi8NFYkq0+lvf00M5v7vnAv4sNha77DWuC21GRU7xneX2ote3VdXaJpK+t1H09ip0Bf9U7hy82qJlpMFPCbhMWROuM1EiXP6WJ1LW01sEwiws5MORzr19dP+37GAPYAsmCFfqho6ldTe+dvxQLV9pZ2JvqOOVEwoM9Trmebd.hlJVFGd5Y9XN1LwZHrWj1hYov9HA972aTZkkh+c5dve5cG9OWeSAcnIESuIkRuIKmdSVI8lrZ5MYszaR4TYx32olc5tSsIxsEBR8JZViHO8AxB4D+oNTTczdOgqp7zPcvL9sl9J5N4GFP+J++yB8tZ4rvDa4TWu0EdhwqA3x7L4VNmBPY.mvmYrNtGJvlMjabX0lTGp6wTGhUbfC.Hneermpum3BZCFCvsh3bipsw1XjuBx22UcWhCF4EGOLUwhhSerXR4qu1HzcM42EX9owy4k4Snmy6xOz8ExhILgY2i8Qdd9pFhaBL4Uq7gxUGqAHiDa.Zl+QM.oMrgS9IW4uEEXqmA6vuYQ7J01PsK1pao8gBw3tzLP2MguPx.3FKP0PBnvw1TdsRF52BzdW5SvmOj3wDIQEgjC3CbnW+Xhj3m4q81xBVCc5sI1x+6H+fQdnFIO+788v8yWmZEL.JQ1O+QsZu2Ns2nYyFOcm7PHDQdLwGWJ+FAPwuby8y2Iv9DzQ7dDrOpIhWr+RmgNUqdfqMwBRbh2sRr.B2gBy8Ye6MzBYskSWNiA+1C9WuyzODOwn1j5LUeRclpMoNS0uPmoCPVdzirB6JjuMbNAGXCniHem0nIm1r3vlA4GbF.EgbjkEGg6dvQmjsnTpsX4TawJo1hUSsEqkZKJmZKpLAK3U7sQ.iNH79NfQqsBwHz2ZDFQFs+B5n7EwB -
@ustk Sounds great! thank you for sharing.
Why did you multiply the signal with 0.707?
Will you make stereo decoder too? -
a 0.707 factor is equal to -3db, which is necessary to compensate here since the signal is doubled on two output (+3dB).
Just made the decoder
HiseSnippet 1734.3oc6ZEsaaaCEUJNpM1sYXqn.aCXOnMrMzszTa4jXmfh15jX2TiF23Yk1MfgfLVY5DhHSJHQkrrgg8Irei8zv9DJ1Ow9B1S6k87dYijRxhRQMyJoooqM5g.euGdIuh7du7Ppz0kXA87HtJpE27PGnh5U0LODS2c0cAHrR6lJpWSqS6laa1tYK8CHt6gv6nrxgN.OOXeEU0BqwamZwIUDO+08VAXCvVvXUJJOgfrfqiFhnwZ613gHa66C5C2DMTp0y2nsEAuJwl3y7oBZUTb.V6A1A9H.uYSnondoV8QThqIEPgdJpStBo+gl6RN.Gz9mf7PO0FxELTLYcTf56Sr6y8X9uUVcWjc+tQu6dJJpZcimIJDLSbcsNn9nQ5imQdaAfdrExyGpSbbtmgr6UIS2yHC2SQx6lLv6XNAouuMflzy3KGg.HBNgm0FSgXOD8P4kqyU28cz5hnV6ls+NQF9Kag5r1eCW7mVq0fAPKZryNo18+pS5JcNBDuzQ8khZ8H9THa3Clz3RrzP8N.pK5aMR5TENkNUlyOgiXv.pn99OxenIKA0BxldvXnMafzTupB2TgbEtLe4xDh6KDlHFzfKqFBJDJDCVkK+OrGN3HgPv4jAmKE37xfymBbAYvERAVSFrVJv5xf0SAtnL3ho.WRFboTfFUjQikhfMR.ORRIuQGU+eQzwjGWzg1EQGmfniv5tkzLsbQNzvviqn0wTuE1hzGlHvHnQJS72pZC7wV7Zw5NtPGfKbSRWavg2vCLzwF1iE2bS8mZSr1yD8cvOqz2WpXoenjjMBGXEdCtgU3xOqUSWRm8Do3qqrk9mqW41ozZHqk+jDt5V5yDKM2V528twh0151r1Vtr95yzS+N5czQX85o5+Zh9+V0qTOgo0ElF7v5.go0zA39QcPptYAd2LqQrQG8g0My1KkYymv8WHo6u3H2eVt6ax8gES0AKls6uTR2OvTg6uzzkjWa3zpvTWh8Mv9CeJz8l56Cr8GsFxBhRVbXpwq3.A2Fina3.C4ekHrQVcbjQjVCkQ9TbCYz+X66SkXzclTxQNc5Hkbj.qFs60ysjSgPvLK4LYHXlkbzBAyrjykBAyrjykCAyrjyTgfYVxoXH3KpRNqFrbw50G2tIfBXTXTC0wVwbftTDOXRsIbe1o.h1xpIzaOJwIAyqKG.dEMS.02kyTTTxZJsN5MQdzDbCCaBmxX.4vu4m9s+3deIjt7PhOlJyvsqKL4YTXCJwiJq6WV6id1odqwLYyoNlLgeWs32H8ye96mnzqnfiLSuFE4jU504wN5m7zqyqczet4GliQ9QiR+9edRyOZL2bybQ9waX4GmbFuuT29Y7X71D9bY7V6Lhwaohx7NmIAMNY5aFU37237Nmwjw7acN8MCioKUbZodXowixoorM0SLpKkZTMhF0Y4iZOwnV8zvV7xmOrEufa3KMtgkhlExN47JQvmEbC+f.vqoYRcgfgrkWSQ1YvVfrT9.IiWDWMsyXe0zrsNsIf975BwM6YMVwev.naRs+ZCwPkd6WmFgddOnCDP6vqRMBbpF85slKw2IiMs42a5lt.Kw8wK8BsAFxRBSz1UcIddCXuNh9xKwF89t6vmqh0zCtOz0KoNVBjbpCOa3wdPdhOxJJKKt0hQoxl.Qx+mnUc9ak7Y+MX+YvL7etzpB4.SLxuIUyuIykeSlO+lrP9MoV9ModtLIcA6hiWA6N.mt.1RuTKWAEl8wvBzj7qNH0zQwdBWU5L8lPJuHsmTaOdNWYcw3uQ9EZJLdt6+AY6hQ9nIhuR1BuOqTFSSvW7qIb.v2lFoMYY0NDLwYWBFYkrvAqPvN6.ck88LegVlRY0sh0b8F8f1PfmTkuOtw5HLD3lrdXtlKLF+4hia858zBbWc9dA5ud7k0J7ZzWV6E+T2aERlPmM5tzWwWmuplXm.cNakWQNLrVl7sm3Tw2VI5fK7L2veKHTpV.h46rHtzCaF2Ea4PZOFQLtKMAiLcvo4Fx1wh0z.AFwwdDNWIM0Ok050IODdXjvCPgBKJPdBuiC75GfBE9Q96d.AsHm99H6v+QE9BsxLNRtdk2wEtS4lDK+gLVudk2tauMVq2xc5z9QqUlMEBPO.4AqVdY+9HB2buxl916A1lyI1d6N.OJz8VG.1WoouiMxhsvIN8p3EHHBkM1G7gWWIPUKbethg+7ct3VJNq9tbJG+AgTO5AgFBrbIaaEb3UdP7TBMrvWrHZonVGtrtgh3P1AocCYTX11xhWebVVhW1VTM2VLWtsX9bawB41hZ41h541hEOFK37EW1mRFFraISQ2VAUXTaMpBSAk+UOvjtV -
Now I am reading the code, it seems to be easy... But I worked two days on that
Can't help pressing F5 in the forum...
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@ustk Sounds very good on laptop, I will check it on the studio. You did it! Congrats man ;)
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@orange ok, now how are we supposed to use this? Well no use it, but implement it, how to add the buttons for selection
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@Jay You can use it bypassing/enabling script fx and simple gain units to send or stop feeding signals. M/S processing has been widely used in most of the recent fx plugins. For users, workflow is the key ;)
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@ustk said in How to make Mid-Side processing?:
Now I am reading the code, it seems to be easy... But I worked two days on that
I am trying it, sides are working well while we process sides differently.
But when mids are processed, sides are affected same too. (I use parametric eq) I think they could be processed differently, does it make sense?
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@orange They're working separately here... When adding a level control on each, I can control Mid without touching the Sides, and vice versa...
Or I don't understand what you mean? Is the routing of your EQs modified in consequence?HiseSnippet 1855.3oc6Z80TaaDDWBaEvNgNoYXl1NSePcl9mjR.aY.aXxjDCXCgI3fiEIocZYnWjOC2frNMRmfR6zo8iSerO1Gymh125zOB8aP6cmjrNITbsgPHjX8.i2cu8t8ta289sGWSGrAz0E6HIma6isgRxWSQ+XKx9qtO.YIsQMI4anzXiZ6puQs5pGgcN.YsmzJGaCbcgskjkyrNqcx4xJw+9m6uBvDXY.iXII8TLx.tIpKhDwsY0GhLMWCzFtMpqPqmu5FFXqUwlXOpMkQonjMv3.vdvGAXMaLEI4qTuMhfczI.BzURN6J31GquO9HK+1+TjK54lPFgljNsi7YuF1rMyhY+VZ08QlsaFN2ckjjUZFsRjwekXJkFn1nd7iVQtNWfZjFhqGxi0OySSz7Jlp4okh4IIXcY8sNpQfa6YBHwsL11Qf.D1JlksgEAZ4hHGKtccgZtuuRSDwX+zs2wRwdoaTm21avl+jJ06zAZPhL1rJq8Um1c5gvQbhSZK4TZg8HP5v6unwnnggpM.DGz2qE2nxbFMpTWeBFQ+ATR9idjWWcZ.pAjt7XYAMoCjh70jXpxoKxnYaW5Pq1bhwhDpwnkCDxIxDIrDi9eoeLg8HBDNmnv4RHbdQgymP3BhBWHgvxhBKmPXEQgURHbQQgKlP3RhBWJgPshhRinBEqESbOJog06nzkBuir8y6PYj2wov6HHuadEcCGjMIv83pJMzUqaYfaCi4X32HowxNlRGOKCVtXUaGnMvAtMtoI33a5B5ZaBaQ8ats5yMwFGni9A3sx+i4yk+mxKnC2.Vg0faZDr8Sa0j4UoegL9lh6n9kpEuSBtZhbYewEWZG0oinlaG06cuHxx6bGZaKTPcyoaodW0FpHK0JI5+x79e1JEqDS0JbU8+nc.W0xp.q1pUTmYt1q32KI5qEX80LZQZdxOZeMSqDpMer4vBwmCK1aNLCaNnyLjESzAKl9bXo3yAeU4ygkBlCh6RL.VVDGr4Ms759bnysUODX50a2j5NEOMwDCVZBr0FVHxV1v.jXwbfDYG4iDxUSpmME0PJPPJB.h.1tykjOhAVmH4ifvRgmi8RS9jIPXpIexFHL0jOJABSM4yUBDlZxmwCDlZxmIBDlZxmbABeUk7YU+sKZu9jMpAH.JXF4.dzcLanCAwbljqAOjVOP3gW0ftGPv1wvfMtuvqpnCHdNLLi7jWSnzPsFxkDCkXPSXfG8gI92O92+q6+LHY4tXOKhHV2lNPgpUTu029EUahcIB7pl+Om4Em4CISEWm7.hI9CThlQpW7H4OUgWgNGoFd0yyIsvqKhy1O8gWWTmsOduR0QrCkWOz2IGM.YS3gPy9VgdMHMcrXMUOC0lreDiutZJ0vmLnHyfETjRfP1At3PlgqdooX1anvWXuLYv7M9KOF70UZBFkSbTNw9kS7jXFzG.LCeWmN+wffY3WlZ1alDyvKVGb6QXFdGK93zee.uVgjOPXFzGgYXDlgQXFFkS7ctbh84NRqAeo2QZY4ym6HMeNwapb5X24m3c8oUjcYerapbZc06ptI6t9zzlLetIE5gkFr6mTWTmJwF0kRLpZgi5LrQsEeTKcVtUwwuXtUwQ2g3qs6PLe3pP5AmWMT74wcH9w9BughNwAB5R2d04Qm9kEPC48ozdU7XFrG3Gy.sbBSLnMKuPTydQ0U75zA5Dm6uUkOTIKIwtZfk2BZCAjFrrT8DNQ0VsV2A6YmRgLr+S6a6.L3ufCgIzVVPZPXr1tpC10sCc5v6KWwV2zyYO1ZUDmVTviNtw4QCfDCcXQCOwExB7QFgQYQslOJE2FvC9+LkRyOa7uC2h9mNSy94Rqxo8UQa3UozvqxbCuJyO7prvvqR4gWkJCkJISXmavRX2.XSwbAMEZ4JnfnOpLeNwemJBMsmuG2TE9e+nCIrjztBss+Xtjuxn2zy+WcWE6ecWhW.QtPazu.x5VzZFoYj6UGSGfmIIja7zpMvVX68wVHi3INnIB1aOninsm5DZYBgl2JhyTUaAMg.WgLeeZ0MQVPfS77gC0Zg1fuVzu8qOTw2bUYmEn91wawJyaQuEqW8KcuW.XBU5n6PdCee9ZJ7SBTYnUdCoXXkTwaO1YBusTXgKrH2feyATJmAZwNYgeQvl7K9Rvk1kBDiYRiQAS6WMWW5IVzl5SPAN1ByvJoH+4zVuI9gviCId.JfXQtjmx5Xeq9An.helM28AnEZzqgLCdZqOVo.Eijiag8bf6UnF1vqKE0qagca1Zq0asbiFa7n0KPWBAnGfbgkJrrWaDlotaAcOyC.6xvDataCfKA5L6QfCkp4YahLnab7pW4S.eOT5XezmLkjOq5VsYL59q2czsTbd8Rtj5egPxmrPnt.CG7tF9EuxeWnbNT2WKt2RNkFLZUMIdQ19gccoPX10vfkebFZfW5ZTZn0XtgVi4GZMVXn0n7PqQkgViE6iFL7hK6Qvc8OsjxnYc+LLx06kgIiz+AaLHA.C@Jay orange gave a solution two days ago in previous thread
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@ustk
I added a saw synth with stereo delay fx. So, delayed sound is side, saw sound is mid. If you look at the MID EQ unit, when you tweak eq, mids and sides are changing both. (actually only mids should be affected)
If you send this eq to sides, only stereo delayed sounds are affected, that we want that. But it is not working for mids. Am I doing wrong?HiseSnippet 2068.3oc6ZEzaaajElzxrNRIonsvK1cA5AVfscSpiiDkrsrQQqkskriPshUDcSJv1.2IjirGXJNLjCsWuEK1db+Ezy8XOzC8XOleBEn.s2VzeB6+fsyLjTbFZFWIG65zthGDz79l2LuYl26MeCG10GaACBv9JpE28DOnh5MzLOwkbvFG.PtJsapn9FZcZ2bOy1MaoeL1+Pj69JqehGHH.ZqnpVXKV8TKNsB+4+t55.GfqELUjhxCwHK31nAHRpztM9Pjiyl.a3tnAB0dgFssvtafcvgTapfVEEOf0gf8g2Gvp1TZJpuRKaDA6aR.DXfh5zqisOw7.7wtQ0+gn.zSbfrBFJlzFJR7lXGalEy9uxFGfbr6lL1CTnMZ2zYhBQyDyp0AYiFJOcF403.5oZHNenN0YYdFhlWkbMOibLOEAqa5HqiZDX6PG.Q1xXKGw.Hrqjk01k.cCPjSDWttRM2WWqKhXcP916T4XuzEpKa6Mdw+lZs52GZQRM1o017iOuqzigi3Lm1VJp0CGRfztOZRiUhFFp2AP7Q+cCYipvKnQk67SbOF0gJp+46GNvjFfZAoSOttPGZGoodCElp7xUXkYKWlPWadgoRAMXkUiA4EJjBVkU9+QeXfCKDCVSDrVFvEDAWHC3hhfKlAbIQvkx.VWDrdFvkEAWNC3JhfqjAznhHZZoDXCI3gkTFWuip+lv6X5yx6Pah2w4v6HNuaIMSKejGI1835ZcL0a4ZgsgRNFQURYpomRqenqEKWrtmOzC3C2E20AbxsB.C7bf8n9M2Q+INXqCMQ+C3sK8YkJV5eVRPGtArNqB2xJd4mVqaVRm9jH3uU4w5uqdk2KiTCQorGY3pOVetzR0dr9G7AoEW5wuGstkKqu8b8zee8N5HW85YZ+k3s+cqWotjp04pF8Pa.tpKoCbs0qqOeM60iZkLs0hr1ZdiTMO8CssluWF0VPZLrn7XX4gig4YiASlgrblFX47GCqHOFhTkOFVIdLHtJwHX4R7wN2xMbvSf92Q+HfS3vUSp6jbZhBiVZhKkTCht8mJ0f.X0jcYdtoFJDClapgoiAyM0fVLXtoFdkXvbSMLSLXtoFtVLXtoFJFCdQkZfshCcIzV8iZ2DP.TpFpwxnqXdPeBhsTq1DdDksdxVKMgAGRvdRLjlIB75Zl.RnOiQGO0x0z5n2DEPj3vEWEF0tHRb+zC91+ypOBRVa.NzkHxDsqOT3rD529S9qM5hCHBxZT5Gm+YY2B6b6appNhrT+iZoiB8qdt0mqPpDGhbCoF5sjWH0Uwtsm+PpqpcaKlDvrQn+QvVOMIhncS8VOPxSgtbsIxg.8CRxlsNfutv8a9xu3KdmFLAFwB97u9oOiKnZpm02sJSPM4ScymmSD7ZMtvBSl3u8xn+1yMGr4HjC9S62+GFkbve9r28VYyA+rs.2YRN3+OHl37ehmeUo0LZm3oI74dhmkTubNwSohhm6XNIF7hL2MpvntyN2wblTR+ayXtaXbyREuoPKrxncZCSQcpK0qqjoWMR504Y8ZOduV8E4LByLZ4.vtscQjc7fwusVoobQwoypIRMTFZSoUbxYN9U6LGkRlExO375IvWFm43Mi.eCMShODLft7ZxiNi11iFxGUx3h3pI7F4qlftcoCFXyxKjVMJcsv98g9xR+lF7tJ6VtdMhs7dPOHfzgkkZH30Zzq2V93Pub1nl8dy20GXwuOFgAzNtPZPnTc2vGGDzmNb3sUfXs6F5uOatJURO3QTpoxxnAPhgNrngOJ.xB7QVIQYo0l2KU1EvC9easpKbW4mi1g9S+4X+ckM3kiTwX7Uo53qRswWkEFeUVb7UYowWk5ikJmyD1c.dcAzkdgZtNJN5ihEIQjtzP2Mt0IbwbSt0smKqzBil49KPftXhMZhXqNsbOhldhJI5VbaB6CBcHIRkSU1A6h8N.6hrjSFPCt2eenunsm6.ZMBglKJUxrM5Acff.grY+kFaibg.e4bbi0bwEzgI9SZQlqNK+t9uOtszB+N51Ru3m5d0XBB5zd2m7R957Mz3Y20YLPdI4.tZ4xgdpWHNzJIGFgE4F+eNIQ0BPW1VG7WdgCkOhinKc.kbEyjlhRPN5DZCn6BQqZTAJYvdXF+GM02gV6sweH7jjB2CEWXYNxCYMbjUeOTbg+EarGQ5Jwn2D4D+wm7.sxTdO9Ak22Gte4lXqvATlrAk2qauc1p2Zc5z99aUlNEBP2CE.qVdsPaDlodPYyPmCA6w345rWGP.A5e2iAGozLzyAYQW33mHkO.h7Po88wu0rJQhZ4ZyDL3qdeIenYSdGPOBbDj+Q6vce9C7x8w9Cz2B5B4ubnyhW72cwyKdGKB0DnzScC7vAPCIBpxXUEwZBIgtxUORjTsXCuMoCOCQlxIBqJJjRbQpwnkkZoNhLW+oUawc6LgzQi8NAVzAK+EqIR6NzI.9HjM4.CQESEWUT74711kISHT+b1xSaBApqJBTUmPfZBApey+4lItje8HaYFpmtC3j3KTf+e48O3hXK8aC6SDcYGBzCs+ABHuYiMgP6mP8XDznQsZe+pIxEUfCrM93tzNbSe3SG1N+6uuw8PmRpRyFYxiuKbfGltgnkjm2k0EhcovMZjSbRG5u7ceHWJSIStykKmuxLky905pd5Wq6.fkOdOqnWEOKIx03RndGtbdxE05vJqanvuxfHOnATtG6YYwRrMO0GJeMpN1ZTar0XgwViEGaMVZr0n9XqwxmgFLhdqERvChxJPEzsUzYqTaM7rUET9Y.c7v2sA -
it's a normal behaviour of the M/S processing, this is why a complex source is important to hear the difference
it makes no sense to use M/S on a synth only, I know people tend to use it everywhere, but even in a full mix, it is rarely necessary. I tend to use it myself only if I need to reinforce the bass in the middle. I don't see a situation where it can be useful as a creative tool. maybe in your case, you'd prefer to use the delay as a send, and treat it separately, which is different from M/SDo it in your favorite DAW
Insert a pingpong delay after a mono synth
insert an M/S plugin with solo functionality after that (like bx_meter)
When soloing M or S, you still hear the delay in bothbut if use insert a song in the sampler in HISE, you'll hear that the levels are separated and have no action on the other
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@ustk
While i don't know HISE very well and haven't run the snippet, this comment makes absolutely no sense to me at all, in fact in most bass heavy music, the most common place to use M/S is very much synths and very much with EQ, it is very common to cut all bass from sides and leave only lows in the mids on most Neuro/Crush or Crunch 8s/Reeses etc etc, and most current bass music uses variants of those three sound design principals for their basses.Also when you change mids, sides should not change at all, that defeats the point entirely of the process, mids and sides should be separated, if you run a mid EQ on a side channel you will hear nothing at all because it ignores the sides and only processes mids, but there are no mids.
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Well, as I said, with a more complex material I totally agree, you say it yourself in bass heavy music, which mean a lot of material in common in L/R.
Here the ping pong delay is either full L or full R by definition, and has nothing to do with a complex material that have something in common in both L and R plus specificities in L and R.
The formula for ST to M/S is as simple as this:
M = L + R
S = L - R@Win-Conway said in How to make Mid-Side processing?:
Also when you change mids, sides should not change at all, that defeats the point entirely of the process, mids and sides should be separated, if you run a mid EQ on a side channel you will hear nothing at all because it ignores the sides and only processes mids, but there are no mids.
We agree, it is the case here in my snippet...
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Maybe I am wrong, but I think we are maybe not talking of the same thing
In a previous post, you said:@Win-Conway said in How to make Mid-Side processing?:
Take your stereo path, pan both left and right channels to centre so that it becomes mono, this is your mid path, take the mid path and invert its polarity (Phase, been a while since i did any code at all, think it is signal * -1) and sum it with the original left and right channels and this will cancel out the mids and leave only the side path ;)
Now you have a mid path and a side path.We agree for M, but not for S (unless I make a mistake)
you invert M and subtract it from L and R, which is not the same than L-R
you don't flip the polarity of R, but I do in respect with the M/S formula, maybe it has something to do with our perception of what we call M/S
